She Blows! And Sparm at That!Hopkins, William John
General
She Blows! And Sparm at That!
Hopkins, William John
Whaling
I forgot entirely my grievance against the second mate, and could
only look at it longingly, as a dog eyes a bone, licking my chops.
Peter laughed to see me. “Do you know what it is to be, then?” {120}
“Anybody would know that. It will be beautiful, Peter. Do—do you
suppose I ’ll ever be able to do anything like that?”
“You ’re able to do something like that now. It ’s nothing now, but
you wait till I have it farther along. I have to shape it a bit more
to make it a true copy—and it ’s going to be a true copy, Timmie—and
then I ’ll cut the deck down to show the rail. Every plank, chain
plate, and bolt that shows on the outside of the ship is going to
show on this model. Then I have to build the deckhouses out of plates
of ivory scraped thin, and build the try-works, and step ivory masts,
and rig her with ivory spars and ivory sails scraped thin as paper.
And there ’s to be ivory blocks, and the rigging ’s to be silk
thread. It ’ll be quite proper, and scraped and polished till it
shines. I have it in my mind, and it grows as I get on. Aye, it ’ll
be quite proper.”
It was quite proper. As I raise my eyes to the mantel, there sits the
dainty model now. Much of the rigging of silk thread is rotten and
brittle, and breaks at a touch; but the rest of Peter’s handiwork
is of more enduring stuff, although yellow with age. It makes me
positively homesick to see the very decks that I trod, the wheel
under its roof and the rail at the stern upon which I had leaned so
many times, looking over the sluggish wake, the gangway with the
cutting-stage in place, the great blocks of the cutting-tackles, the
try-works with the bench against its after side; every detail of the
ship and its fittings reproduced, even to the boats lashed to their
stiff davits, the cranes swung out for them to rest upon, and little
harpoons and lances and spades in place. The paper-thin, translucent
ivory sails still hang from their ivory yards and belly with the
breeze. It makes me homesick, I say, and makes that time—it was a
happy time, on the whole—it makes that time even more real than does
my journal, which lies before me. At the time when I first {121} saw
that model, however, rough as it then was, I could only gape and
smile, and I said nothing coherent, I think.
Public-domain text, read in full here on John Shaqi.
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