The men lifted him to a closed carriage. Charter was driven to a
sanatorium. One of the friends undertook to stay with him for a day or
two. Charter did not rightly realize where he was until evening. He
appeared to take the news very quietly. Whiskey was allowed him when it
was needed. Other patients in various states of convalescence offered
assistance in many ways. That night, when the friend finally fell asleep
in the chair at the bedside, Charter arose softly, went into a hall,
_where a light was burning_, and plunged down into the dark--twenty-two
brass-covered steps. His head broke the panel of the front door at the
foot. His idea was the same which had made him hunt for his six-shooter
the morning before. Besides the door, he broke his nose, his arm, and
covered himself with bruises, but fell short, years yet unnumbered, from
his intent. Under the care of experts after that, he was watched
constantly, and given stimulus at gradually lengthening intervals--until
he refused it himself on the seventh day. Three weeks later, still, he
left the place, a man again, with one hundred and twenty needle
punctures in the flesh of his unbroken arm.
FOURTEENTH CHAPTER
THE SINGING OF THE SKYLARK CEASES ABRUPTLY; CHARTER HASTENS EAST TO FIND
A QUEER MESSAGE AT _THE GRANVILLE_
Charter, three years after the foregoing descent into realism, was
confessedly as happy a man as the Mid-West held. He accepted his
serenity with a full knowledge of its excellence, and according to his
present health and habits would not have been excited to find himself
still among those present, had the curtain been lifted thirty or forty
years away. In the year that followed the sanatorium experience, Charter
in reality found himself. There were a few months in which work came
slowly and was uncertain in quality. In his entire conception, nothing
worse could happen than an abatement of mental activity, but he did not
writhe, knowing that he richly deserved the perfect punishment. So
slowly and deeply did physical care and spiritual awakening restore the
forces of mind, however, that he did not realize an expansion of power
until his first long work had received critical and popular acclaim, and
he could see it, himself, in perspective. So he put off the last and
toughest shackle of King Fear--the living death.
Public-domain text, read in full here on John Shaqi.
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