She was standing before the elevator-shaft and had signaled for the car
eternities ago. Selma Cross was moving up and down the room within, but
her words though faintly audible, had no meaning to the woman without.
Paula's mind seemed so filled with sayings from the actress that there
was no room for the interpretation of a syllable further. One sentence
of Charter's startled her with deadly pain.... She could wait no longer,
and started to walk down. Half-way to the main-floor, the elevator sped
upward to answer her bell.... She was very weak, and temptation was
fiercely operative to return to her rooms, when she heard a slow, firm
step ascending the flight below. She turned from the stairs on the
second floor, just as the huge, lean shoulders of Bellingham appeared on
the opposite side of the elevator-shaft.
The two faced without words. His countenance was livid, wasted, but his
eyes were of fire. Paula lost herself in their power. She knew only that
she must return with him. There was no place to go; indeed, to return
with him now seemed normal, rational--until the brightly-lit car rushed
down and stopped before them.
"Excuse me for keeping you waiting, Miss Linster," the elevator-man
said, "but I had to carry a message to the rear."
In the instantaneous break of Bellingham's concentration, Paula
recovered herself sufficiently to dart into the car.
"Down, if you please," she said hoarsely. "The gentleman is going up."
Bellingham, who had started to follow, was stopped by the sliding-door.
The conductor called that he would be back directly, as his car slid
down.... In the untellable disorganization of mind, Paula knew for the
moment only this: she must reach the outer darkness instantly or expire.
In that swift drop to the main floor, and in the brief interval required
to stop the car and slide the door, she endured all the agony of
tightened fingers upon her throat. There was an ease in racing limbs, as
she sped across the tiles to the entrance, as a frightened child rushes
from a dark room. She would die if the great door resisted--pictured it
all before her hand touched the knob. She would turn, scream, and fall
from suffocation. Her scream would call about her the horror that she
feared.
Public-domain text, read in full here on John Shaqi.
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