"Day before yesterday she was in and out. Miss Cross, the lady who lives
in this other apartment, said she called on Miss Linster yesterday
morning."
"The point is that she left no word--either with you or with us--before
going away. We are very good friends of hers. I'll ring for luck----"
The bell rang long and loudly. Paula imagined the thick thumb pressed
against it, and the big troubled face. She wanted to answer--but facing
Reifferscheid was not in her that moment.... The elevator was called
from below.
"No use," Reifferscheid said finally. "Here's a coin for your trouble.
I'll call up the first thing in the morning----"
She heard the click of the elevator-door, and the quick whine of the
car, sinking in the shaft. She recalled that she had not been at _The
States_ for four or five days. She had intended going down-town
yesterday.... She thought long of Reifferscheid's genuine and changeless
kindness, of his constant praise for sincerity anywhere and his battling
for the preservation of ideals in all work. His faith in Charter
recurred to her--and his frequently unerring judgments of men and women
she had known. All about him was sturdy and wholesome--a substance,
this, to hold fast.... Reifferscheid had come in the crisis. Paula fell
asleep, thinking of snails and stickle-backs, flowers and Sister Annie,
big trees and solid friends.
She awoke in a different world--at least, a world in which tea and toast
and marmalade were reckonable. Her thoughts went bravely down into the
depression for salvage; and a mind that can do this is not without hope.
It was only eight. Reifferscheid had not yet 'phoned.... Charter would
have her letter now, or soon--that letter written seven eternities ago
in the first hysteria, while she could yet weep. She could not have
written in the ice-cold silence of yesterday. She wished that she had
not let him see that she could weep. When the tragedy had risen to
high-tide in her soul--there had been no words for him. Would she ever
write again?...
Public-domain text, read in full here on John Shaqi.
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