Often, again (for he could not live decently with himself without
working), he would spend the day in fussy preparation for a long,
productive evening. The room was at a proper temperature; the buffet
admirably stocked; pipes, cigars, and cigarettes at hand; his
stenographer in her usual mood of delightful negation--when an
irresistible impulse would seize his mind with the necessity of
witnessing a certain drama, absolutely essential to inspiration. Again,
with real work actually begun, his mind would bolt into the domains of
correspondence, or some little lyric started a distracting hum far back
in his mind. The neglected thing of importance would be lifted from the
machine, and the letters or the verses put under weigh. In the case of
the latter, he would often start brilliantly with a true subconscious
ebullition--and cast the thing aside, never to be finished, at the first
hitch in the rhyme or obscurity in thought. Then he would find himself
apologizing slavishly for Asiatic fever to the woman who helped
him--whose unspoken pity he sensed, as hardened arteries feel the coming
storm. Alone, he would give way to furious hatred for himself and his
degradation, and by the startling perversity of the drunken, hurry into
a stupor to stifle remorse. Prospecting thus in the abysses, Charter
discovered the outcroppings of dastardly little vanities and kindred
nastiness which normally he could not have believed to exist in his
composite or in the least worthy of his friends. A third trick drink
played upon him when he was nicely prepared for a night of work. The
summons which he dared not disregard since it came now so
irregularly--to dine--would sound imperiously in the midst of the first
torture-wrung page, probably for the first time since the night before.
In the actual illness, which followed partaking of the most delicate
food, work was, of course, out of the question.
Finally, the horrors closed in upon his nights. The wreck that could not
sleep was obsessed with passions, even perversions--how curiously untold
are these abominations--until a place where the wreck lay seemed
permeated with the foulest conceptions of the dark. What pirates board
the unhelmed mind of the drunken to writhe and lust and despoil the
alien decks--wingless, crawling abdomens, which, even in the shades, are
but the ganglia of appetite!... A brand of realism, this, whose only
excuse is that it carries the red lamps of peril.
Public-domain text, read in full here on John Shaqi.
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