She who sleeps : $b A romance of New York and the NileRohmer, Sax
Science
She who sleeps : $b A romance of New York and the Nile
Rohmer, Sax
Egyptologists -- Fiction; Excavations (Archaeology) -- Egypt -- Fiction; Love stories; New York (N.Y.) -- Fiction
“Margot told me what she had said in her letter,” he went on. “I
agreed. Get that clear. She did nothing behind my back. What she wants
goes with me, and she wanted you to know the truth. You’d never have
known if you hadn’t followed her to Paris. But I’m not sorry, anyway.
I have retired from business. Zalithea was my last deal. I regretted
it long before the end came, because I found out that John Cumberland
was white clean through. So, listen. Tell him if you like. I’ll hand
you a complete list of all the stuff he’s got that isn’t right, and he
can sell it back to me for just what he paid. I’m not playing tin
angels: I’ve got a market for it at big profit!”
Barry was unable to restrain a smile.
“If you ask me,” Danbazzar added, “he’d be happier left alone. But do
as you damn’ please. There’s no committee of experts in the world
would say any piece from my workshop was faked--and you can lay your
last dollar _I’m_ not going to say it! As for the job at the
tomb--we’re all in the dock together. Pirates can’t afford to quarrel!
And now I’m going to talk to you about Margot. I’m going to talk
straight, and I expect you to talk straight.…”
He talked, and talked straight, for the better part of an hour. He
displayed a side of his complex, twisted character, that Barry had
never suspected to exist. And, at one point, when he spoke of
Marguerite’s remorse for the part she had played, the words of Hassan
es-Sugra recurred to Barry: “Be not angry with her.” Finally:
“Now we’ve got it all set,” said Danbazzar. “I’ve quit the United
States for keeps. You know where I stand. We’re agreed about the bunch
in New York. And I know where you stand. Settle the rest with the
kid.”
He walked out of the room, stately, unperturbed; the Great Ahmes,
master of the situation. Barry stood up. Suddenly, he had grown
appallingly nervous. He paced up and down once or twice, among those
priceless relics of an age whose loves and hates were forgotten before
Paris arose from the forests. On one long, low wall, Pharaohs, gods,
and goddesses made mysterious signs to one another, signalling: It was
so in our day; it is so in this.
The rustle of the tapestry portière told him to turn.
He faced Marguerite.…
She stood on the threshold watching him. Her long dark eyes held the
same expression as on that night when, unseen by Barry, she had stolen
to the library door to take her last look at him.
Yet something else was there, and slowly she came forward to where he
stood. When she was close to him:
“My darling!” he whispered.
His arms went around her very tightly but very gently--not as in that
first fierce embrace. And when he kissed her it was a lingering tender
kiss.
THE END
TRANSCRIBER’S NOTES
Minor spelling inconsistencies (e.g. El Kasr/El-Kasr, Kûrna/Kurna,
etc.) have been preserved.
Alterations to the text:
Abandon the use of drop-caps.
Punctuation: fix some quotation mark pairings/nestings and missing
periods.
[Chapter I]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account