She who sleeps : $b A romance of New York and the NileRohmer, Sax
Science
She who sleeps : $b A romance of New York and the Nile
Rohmer, Sax
Egyptologists -- Fiction; Excavations (Archaeology) -- Egypt -- Fiction; Love stories; New York (N.Y.) -- Fiction
The plan of operations was worthy of its inventor. The entrance to the
tomb lay in a fairly deep recess; and Danbazzar had constructed, in
convenient sections, a huge screen--practically a piece of scenery.
The material for this accounted for the presence of several strangely
shaped cases among their baggage for which Barry had hitherto been
unable to account.
Set in place before the entrance to the tomb, with top pieces and side
pieces, or wings, it was joined with sand and rubbish to the rubble of
the valley path. When lovingly finished by Danbazzar--seated upon a
light scaffold--with odd dabs of paint applied to a wet surface upon
which sand had been thrown, the result was magical. While it slightly
altered the conformation of the landscape, it was utterly impossible
to detect the presence of this screen even by the closest scrutiny.
One would have had to tap it to learn that it was of wood and canvas,
and not of rock.
Access to the interior was gained by an ingenious door, low down at
one corner. This door was in reality a shallow box filled with rubble
and cement and opening upward. In the space between the screen and the
rock there was ample room for work, which was carried on by lantern
light. With two men always on duty, one at the high end of the valley
and one at the low, to give warning for operations to cease, detection
was next to impossible, short of treachery on the part of an employee.
On the morning that this screen was completed, Danbazzar, paint brush
in hand, stood surveying his work with the pride of an artist. He
turned to Barry, who stood beside him and:
“Some illusion, I think!” said he.
“It’s simply amazing!” cried John Cumberland.
“I worked behind that screen, sir,” said Danbazzar, “for three months,
and not a soul but my men ever knew I was there! The last month I
spent covering up what I’d found.”
“I take it,” said Cumberland, “we can soon demolish what you
reconstructed?”
“Pretty soon,” Danbazzar agreed. “But I had to make a sound job of
it.”
“Anyway,” said Barry, “from now onward we are safe.”
“As you say--” Danbazzar bowed as one who acknowledges applause and
gave the signal for the scaffolding to be demolished--“the dangerous
part is over. Rain is the worst we have to fear now.”
He touched Hassan es-Sugra upon the shoulder.
“Hassan,” he directed, “let the first party begin at three o’clock.
You have my instructions. I shall be back at five.”
Hassan saluted, and leaving Mahmoud in charge of the clearing-up
operations, walked away, slow and stately, down the valley.
As it chanced, their belief in the artistic genius of Danbazzar was
very shortly to be put to the test; for, returning to the camp, where
they intended to remain during the heat of noon, they were met by a
very courteous Egyptian official.
John Cumberland started at sight of the figure wearing the _tarbûsh_,
but Danbazzar exhibited neither surprise nor alarm.
“Ah! Mr. Tawwab!” he cried genially. “It was real good of you to hunt
us up!”
Public-domain text, read in full here on John Shaqi.
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