She who sleeps : $b A romance of New York and the NileRohmer, Sax
Science
She who sleeps : $b A romance of New York and the Nile
Rohmer, Sax
Egyptologists -- Fiction; Excavations (Archaeology) -- Egypt -- Fiction; Love stories; New York (N.Y.) -- Fiction
Sweat-grimed workmen crowded the outer chamber.…
No inscription of any kind appeared upon the sides or lid of the great
granite sarcophagus, but the walls were very beautifully painted. The
atmosphere was so oppressive as to be almost insupportable.
There was something awesome in this sudden silence which had succeeded
upon clamour. Danbazzar was the first to break it.
“The name of Princess Zalithea,” he said, his deep voice oddly hushed,
“occurs, as you can see, in several places.” He directed the ray of
his torch from point to point. “Much of the decorations--such as the
procession of boats, the Sem-priest in his mystic trance, the funeral
offerings, and so forth--are quite conventional in character. You will
notice, though, that the Lotus constantly occurs, as well as the Ankh,
emblem of eternal life.” He shone the light all around. “There are
other important points, too,” he mused, “which we can look into later.
Be very careful. Touch nothing.”
Barry, wholly absorbed in his own peculiar reflections, was passing
around the sarcophagus; feeling its surface with his fingers; peering
into the tiny crevices between the lid and the lip. Meanwhile,
Danbazzar and John Cumberland were bending almost reverently over a
strangely shaped, squat table on which were salvers, bowls,
curious-looking phials, and a number of tall, slender lamps.
“Observe,” said Danbazzar, a note of triumph in his deep voice:
“_these_ are not the usual funerary offerings!”
Professor Blackwell’s long bony fingers were extended toward one of
the phials, but:
“No, no! Blackwell!” cried John Cumberland excitedly. “Don’t touch it!
Touch nothing! It may crumble!”
The Professor withdrew his greedy hand reluctantly.
“And I wonder what that casket contains?” he murmured.
The casket to which he referred, an exquisitely carved object, stood
by itself upon a sort of pedestal, some little distance from the table
and beside a long, low couch, the legs carved to represent the feet of
a leopard. Danbazzar almost imperiously waved him to silence. Then,
turning his back to the sarcophagus, the table, and the pedestal, he
addressed them as a speaker addresses an audience.
“The casket, gentlemen,” he said, “as well as the bowls and bottles,
contains the ingredients mentioned in the formula! I have seen enough
already to tell me my preparations are complete. Presently,
Professor”--he turned to Professor Blackwell--“maybe you can assist me
in checking these; but the task of preserving many of the fragments is
going to be a delicate one. We mustn’t forget they’re three thousand
years old.”
“It is almost more than I can believe!” declared John Cumberland
rapturously.
Barry, one hand resting upon the sarcophagus, faced him, and:
“Dad,” he said, “it’s _altogether_ more than _I_ can believe!”
Public-domain text, read in full here on John Shaqi.
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