She who sleeps : $b A romance of New York and the NileRohmer, Sax
Science
She who sleeps : $b A romance of New York and the Nile
Rohmer, Sax
Egyptologists -- Fiction; Excavations (Archaeology) -- Egypt -- Fiction; Love stories; New York (N.Y.) -- Fiction
“The wine for the final draught, you”--indicating John
Cumberland--“will pour into the cup onto the powder at the last
moment--when she opens her eyes. I consider the wine to be the most
doubtful item. It’s Madeira wine, over a hundred and fifty years old,
but I’m not sure of it all the same.”
“That contained in the flagon found here was undoubtedly a similar
vintage,” Professor Blackwell said. “It was a grape wine. My
microscope has convinced me of this.”
“We can only hope you’re right,” said Danbazzar. “And now--the most
important point of all. The sarcophagus I’ve had lifted out onto a
sloping trestle. The implements for raising the lid are ready. The
couch, described in the formula, is still serviceable, if we take
great care. Directly the lid is off, she must be taken out of the
sarcophagus and laid on the couch. I’ll do it. From that moment on, no
one must speak! No one must make a sound! Just do your jobs. And, for
God’s sake, don’t bungle!”
He held the curtain aside, and the party filed into the tomb.
It presented a picture that time could never efface from the minds of
those who saw it. Dimly lighted by an ancient lamp set upon a
pedestal, the air was misty with clouds of incense arising from a
tripod placed on the right of the doorway.
The lotus sarcophagus rested, slanting, near to the great granite box
which had contained it for generations. Upon a low table were two
bowls containing some kind of ointment; a metal perfume burner; a
jewelled cup in which was some gray, powdery substance; a stoppered
flagon; and a curiously shaped lamp. The table was set close to the
head of a long, narrow, gilded couch, having legs carved to represent
those of an animal, and found in the tomb.
Six other lamps were placed at intervals around the walls.
Danbazzar pointed to a bundle of tapers. They were made of some
inflammable resinous substance.
“The moment I lift her out,” he directed, “light those tapers at the
brazier. The wrappings I look to find perished, and I shall set to
work right away. Say all you want to say before I get the lid off. I
shall work fast, even if I do damage. Once the thing is open--not a
word from anybody.”
He stooped over the sarcophagus, with its startling presentment of the
occupant. His shadow, gigantic, moved upon painted walls and ceiling.
A sound of wrenching, cracking wood broke the oppressive silence.…
Barry clenched his teeth hard. He glanced at his father. Even through
the tan one could see that John Cumberland had grown pale. Professor
Blackwell’s gaunt features glistened with perspiration. Barry
wondered--as though newly faced with the problem--what he should do if
the sarcophagus really proved to contain a woman! A sudden
unaccountable conviction had come to him that it was empty.
The heat in the tomb seemed to be growing greater every moment.…
Public-domain text, read in full here on John Shaqi.
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