American literature -- History and criticism; English literature -- History and criticism
And yet it will be a real loss to letters if this nearest approach in
English to a religious novel of universal significance should lose its
vitality and be forgotten. Almost, but not quite, Mr. Shorthouse has
gone below the shifting of forms and formulæ to the instinct that lies
buried in the heart of each man, seeking and awaiting the light. I have
already referred to those early chapters, the most perfect in the book I
think, wherein is told how Johnnie, a grown boy now, visits his
childhood's masters and questions them about the Divine Light which he
would behold and follow amid the wandering lights of this world. Mr.
Shorthouse believed, as he had been taught at his mother's knee, that
such a Guide dwelt in the breasts of all men, and that we need only to
hearken to its admonition to attain holiness and peace. He thought that
it had spoken more clearly to certain of the poets and philosophers of
Greece than to any others, and that "the ideal of the Greeks--the
godlike and the beautiful in one"--was still the lesson to be practised
to-day. "What we want," he said, "is to apply it to real life. We all
understand that art should be religious, but it is more difficult to
understand how religion may be an art." And this, as he avows again and
again in his letters, was the purpose of his book; "one of many failures
to reconcile the artistic with the spiritual aspect of life," he once
calls it.
But if, intellectually, the vision of the Divine Light was vouchsafed to
Plato more than to any other man, historically it had been presented to
the gross, unpurged eyes of the world in the life and death of Jesus.
The precision of dogma, even the Bible, meant relatively little to Mr.
Shorthouse. "I do not advocate belief in the Bible," he wrote; "I
advocate belief in Christ." Somehow, in some way beyond the scope of
logic, the idea which Plato had beheld, the divine ideal which all men
know and doubt, became a personality that one time, and henceforth the
sacraments that recalled the drama of that holy life were the surest
means of obtaining the silence of the world through which the Inner
Voice speaks and is heard.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account