But if occasionally this residue of bitterness in Christina Rossetti recalls the more acrid genius of James Thomson, yet a comparison of the two poets (and such a comparison is not fantastic, however unexpected it may appear) would set the feminine character of our subject in a peculiarly vivid light. Both were profoundly moved by the evanescence of life, by the deceitfulness of pleasure, while both at times, Thomson almost continually, were troubled by the apparent content of those who rested in these joys of the world. Both looked forward longingly to the consummation of peace. In his call to _Our Lady of Oblivion_ Thomson might seem to be speaking for both, only in a more deliberately metaphorical style: Take me, and lull me into perfect sleep; Down, down, far hidden in thy duskiest cave; While all the clamorous years above me sweep Unheard, or, like the voice of seas that rave On far-off coasts, but murmuring o'er my trance, A dim vast monotone, that shall enhance The restful rapture of the inviolate grave. But the roads by which the two would reach this "silence more musical than any song" were utterly different. With an intellect at once mathematical and constructive, Thomson built out of his personal bitterness and despair a universe corresponding to his own mood, a philosophy of atheistic revolt. Like Lucretius, "he denied divinely the divine." In that tremendous conversation on the river-walk he represents one soul as protesting to another that not for all his misery would he carry the guilt of creating such a world; whereto the second replies, and it is the poet himself who speaks: The world rolls round forever as a mill; It grinds out death and life and good and ill; It has no purpose, heart or mind or will.... Man might know one thing were his sight less dim; That it whirls not to suit his petty whim, That it is quite indifferent to him. There is the voluntary ecstasy of the saints, there is also this stern and self-willed rebellion, and, contrasted with them both, as woman is contrasted with man, there is the acquiescence of Christina Rossetti and of the little group of writers whom she leads in spirit: Passing away, saith the World, passing away.... Then I answered: Yea. WHY IS BROWNING POPULAR?