American literature -- History and criticism; English literature -- History and criticism
It might seem that enough had been said to explain why Browning is
popular. The attitude of the ordinary intelligent reader toward him is,
I presume, easily stated. A good many of Browning's mystifications,
_Sordello_, for one, he simply refuses to bother himself with. _Le jeu_,
he says candidly, _ne vaut pas les chandelles_. Other works he goes
through with some impatience, but with an amount of exhilarating
surprise sufficient to compensate for the annoyances. If he is trained
in literary distinctions, he will be likely to lay down the book with
the exclamation: _C'est magnifique, mais ce n'est pas la poésie!_ And
probably such a distinction will not lessen his admiration; for it
cannot be asserted too often that the reading public to-day is ready to
accede to any legitimate demand on its analytical understanding, but
that it responds sluggishly, or only spasmodically, to that readjustment
of the emotions necessary for the sustained enjoyment of such a poem as
_Paradise Lost_. But I suspect that we have not yet touched the real
heart of the problem. All this does not explain that other phase of
Browning's popularity, which depends upon anything but the common sense
of the average reader; and, least of all, does it account for the
library of books, of which Professor Herford's is the latest example.
There is another public which craves a different food from the mere
display of human nature; it is recruited largely by the women's clubs
and by men who are unwilling or afraid to hold their minds in a state of
self-centred expectancy toward the meaning of a civilisation shot
through by threads of many ages and confused colours; it is kept in a
state of excitation by critics who write lengthily and systematically of
"joy in soul." Now there is a certain philosophy which is in a
particular way adapted to such readers and writers. Its beginnings, no
doubt, are rooted in the naturalism of Rousseau and the eighteenth
century, but the flower of it belongs wholly to our own age. It is the
philosophy whose purest essence may be found distilled in Browning's
magical alembic, and a single drop of it will affect the brain of some
people with a strange giddiness.
Public-domain text, read in full here on John Shaqi.
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