Sheppard Lee, Written by Himself. Vol. 1 (of 2)Bird, Robert Montgomery
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Sheppard Lee, Written by Himself. Vol. 1 (of 2)
Bird, Robert Montgomery
American fiction -- 19th century; Satire
At that moment Nora blew out the light, so that we were left in
darkness, and my cousin locked the door, thus, as I supposed, dividing
us from the enemy. "I say, Pattie, my soul," said I, whispering in her
ear, "what is Nora going to do with him?" But she answered me not a
word, and I took that as a hint to hold my own peace. The next instant
I heard a rustling in the next room, and the voice of Jack Tickle
saying softly, and almost in my own words,
"I say, Pattie, my soul, what did you blow out the light for? Where are
you?--Oh! you divine creature!" and I heard the smack of a kiss, that
quite astonished me.
"Pattie," said I, "what the deuse is the meaning of that?"
But Pattie was as dumb as before. The rustling was transferred from the
antechamber (I had taught my cousin to call it her boudoir) into the
passage, and I could tell, by the creaking of a step, that my friend
Tickle was going down stairs.
"Pattie," said I, "what's in the wind now?"
But still Pattie refused to answer me.
While I was wondering at her silence, now that there was no fear of
being overheard, I again distinguished the sound of the house door
softly opened and shut.
"I say, Pattie," said I, "what the devil is all that? and pray why
don't you speak?"
It occurred to me that her silence was all owing to a fit of
bashfulness, caused by her having me locked up in the chamber with her.
"Pattie," said I, reaching out my hands, "but without being able to
reach her, you shouldn't be bashful nor nothing, considering we're to
be married in less than half an hour. I say, Pattie, what are we to do
now? where are you?"
While I spoke I heard a carriage again rattle by the door, and, to my
astonishment, the coachman saluted the house with three such cracks of
his whip as my own had given a few minutes before.
"Pattie," said I, while a cold sweat broke over my limbs, "_where_ are
you, and why don't you speak?"
I felt about the door for her, but felt in vain; I listened for the
sound of her breath, hoping she might have hidden herself out of sheer
mischief, but not a breath was to be heard; I went feeling about the
chamber, and with as little effect.
A horrible suspicion seized upon my fancy. There were two doors to the
apartment, one opening upon the passage, the other into the boudoir;
and both were locked as fast as doors could be. Where was the key my
cousin Pattie turned when we entered the chamber together? It was gone.
I discovered its absence, and looked round the chamber in astonishment
and dismay.
Public-domain text, read in full here on John Shaqi.
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