Shibusawa; or, The passing of old JapanAdams, I. William
History
Shibusawa; or, The passing of old Japan
Adams, I. William
Japan -- History -- To 1868 -- Fiction
Three hundred geisha singers dressed in flaming uniforms, wearing costly
jewels in their hair, came first, seating themselves in three rows
across the front of the stage, with the samisens[15] first, the
kokyus[16] next, and the kotos last. Next after these came nine hundred
geisha dancers, who ranked in lines at both sides and at the rear of the
stage. After them one hundred geisha singers, whose simple coiffures and
freedom from ornamentation bespoke their purity, came in and grouped
themselves in the centre of the stage. All held themselves in readiness
to begin the play. Presently the music began in faint, weird strains,
and as the time quickened the dancers began to sway, and as the pitch
rose the singers began to chant; and when all seemed a living, moving,
sounding picture, the ranks parted and down between them softly stepped
a maiden whose charm and ease of manner made breathless the waiting
listeners.
As she approached the centre of the stage, the music lowered, the
dancers slowed, and the singers gradually stopped; then her voice began
its soft, enchanting notes. Every man leaned forward speechless; and as
she sang her song of love they were thrilled with the wondrous message
of her heart. In that vast audience there was one who understood the
language of her pathos, who communed with her soul.
It was Shibusawa; and not words, but actions revealed the secret of his
feelings. He sat in his booth, leaning over, and silent. He did not
grieve, nor exult, but sat there a dweller in another world. It was one
from the spirit land with whom he spoke. She told him she loved him; her
voice, not words carried the message, spoke the language of her soul. He
listened, and when the farewell came would have gone to her, thrown
himself at her feet, had not his strength failed him. He hesitated, and
upon regaining his composure Kinsan had gone--he knew not where.
Tetsutaisho sat near Shibusawa, and he too felt the force of her great
melody, and knew that some inward action moved her. He had long before
guessed her secret, and Shibusawa's strange emotion now impressed him.
Instinctively connecting the two, though holding his own counsel, he
knew from that day who his rival was, and he felt that her song had won
for her its reward. He chided himself for having yielded to Ikamon's
entreaty, and wished that he had denied even his best friend the favour
of her loan. It was now too late. The mistake had been made beyond
rectifying.
Kinsan had not observed Shibusawa, or at least did not distinguish him
in the audience, but sang purely and simply from her heart. No incentive
moved her, nor did she heed the elegance, or feel the great honour she
had gained. She was conscious of only one, and in another world poured
out her soul's desire; and thus without being aware of it brought to her
feet the noble, royal sons of a nation, made them her slaves, and went
forth from that scene the most famed of her sex.
Public-domain text, read in full here on John Shaqi.
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