Shibusawa; or, The passing of old JapanAdams, I. William
History
Shibusawa; or, The passing of old Japan
Adams, I. William
Japan -- History -- To 1868 -- Fiction
He had not long to wait, however, for she came in person and greeting
him warmly bade him enter the house and sit in her own chamber. Here
they sat and sat, he listening, and she pouring out her troubles--it had
been her first opportunity in all those pent-up years. Again and again
they had drained their teacups when, flushed and excited, she said:
"Yes, there is a son, and you must know its mother. I will show it to
you and then you can better appreciate my terrible sorrow. Oh, I cannot
bear it longer! It will kill me, and yet it is no fault of mine. I have
been a dutiful wife, and I have the only right to be the mother of his
children. Tell me, Shibusawa, my brother, is there no help for woman?"
"It is the law of the land, Nehachibana, and as long as it is such, it
is our duty to abide by its decree."
"But the law is so unjust!"
"The injustice is in the making of it. But there, now, let us not
discuss that any further. You have done your part, and I will venture it
is better a husband whom you love, than a wife who loves your husband.
Come, now, when shall I expect you to pay us a visit in the country?"
"I wish you were not going so far. I am seldom allowed such a privilege,
and were I--oh, that other one! I should never give her the
satisfaction. I hate her! I love--oh, I dare not, I cannot go away! Come
with me, now, won't you? I want you to see--to see with your own eyes--I
shall have revenge!"
"But you must not, my dear Nehachibana. It is not she that has wronged
you; and it is a terrible thing to misjudge. Better suffer the wrong;
the charity will repay you the sacrifice."
"Then look, as I have done these many days, and you will know better a
woman's way. It is an image of the devil, and its eyes rivet me. Come?"
"To please you, Nehachibana."
Nehachibana arose and stealthily disappeared; in a few moments she
returned and, scarcely speaking above a whisper, bade Shibusawa follow.
Guiding him through several rooms, into a long passageway, thence to a
chamber out of which a soft light shone through the frail paper
partition, she cautioned him, then pushed back the slide a little and
beckoned him approach. Kinsan sat in deep thought near a small screen,
with the child fondled in her lap, and for the moment did not observe
their entrance. She had often been intruded upon in such a manner and
therefore paid little heed. Perhaps she meditated the night of her début
upon the stage; or she may have been thinking of another time when all
the world seemed glorified to her. The visitors approached, however, and
their stockinged feet made hardly any noise on the soft, matted floor.
They came at Kinsan's back, partly sidewise, and when not too far away
Nehachibana clutched at Shibusawa's kimono and pointing her bony finger
at the child, leaned forward and said, almost breathlessly:
[Illustration: Kinsan sat in deep thought ... with the child
fondled in her lap.]
"It is he!"
Public-domain text, read in full here on John Shaqi.
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