Shinto (the Way of the Gods)Aston, W. G. (William George)
Religion
Shinto (the Way of the Gods)
Aston, W. G. (William George)
Shinto
=Spitting=.--Spitting, or the ejection from the mouth of any
disagreeable substance, is naturally used by analogy as a symbol of
dislike and disgust when other senses or feelings than that of taste
are offended. The modern writer Fukuzawa tells us that when he left
his home for the first time he spat in order to show his disgust
with the narrowness and poverty of his life there.[215] Spitting as
a means of symbolical purification is a further corollary from the
natural function of this act. In the Izanagi myth a God of the Spittle
(Haya-tama no wo) is the result of that deity's spitting during the
ceremony of divorce. The "spittle" deity is here associated with
another God, who is styled a God of Purification. A commentator on
this passage says that "at the present day spitting is essential in
the purification ceremony." The ritual, however, does not mention it.
Another writer adds that "this is the reason why at the present day
people spit when they see anything impure." In the myth of Susa no wo
spittle is mentioned along with the nails of the fingers and toes and
nose-mucus among the materials for expiatory offerings. When Hohodemi
is recommended to "spit thrice" before giving back the lost fish-hook
to his brother, a magical effect is probably intended, such as to
convey to him any impurity which may have become attached to his own
person. Rinsing the mouth as a purifying ceremony before pronouncing an
oath is mentioned in the _Nihongi_.[216]
=Breathing on=.--Ritual impurity may also be conveyed away by the
breath. The origin of this practice is the sudden expulsion of air from
the mouth when some offensive odour or vapour has found an entrance.
This instinctive action[217] is represented onomatopoetically in
English by Pooh! Faugh! Pshaw! and in other languages by similar words,
which have come to express not only physical repulsion, but dislike and
contempt generally.
Public-domain text, read in full here on John Shaqi.
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