There are two ways of overcoming this difficulty. At Liverpool great
landing stages are built, floating in the water parallel to the shore.
Running from these to the shore are great hinged gangplanks which
permit the landing stage to rise and fall with the tides while these
gangplanks, which are really more like bridges, hold them parallel to
the shore and serve as bridges as well. A ship, made fast to one of
these landing stages, rises and falls as the stage does, and the two
maintain their relative positions to each other regardless of the stage
of the tide. In Liverpool these stages are largely used for passenger
ships.
The other method, which is also in use at Liverpool as well as at many
other ports, is to build a sea wall across the entrance to the docks,
and in this sea wall to build a “lock,” or a water gate. When the tide
is in, the water gate is opened and the harbour or the dock is flooded
to the level of high tide. As the tide recedes this lock is closed and
the water level behind it remains the same. Ships pass in and out,
either at high tide, when the lock or gate can be left open for a time,
or, if at other stages of the tide, by means of the lock, which, being
made up of two gates at the opposite ends of a long, narrow, canal-like
passageway, makes it possible for the ship to pass into the lock, where
the water level can be made to coincide with the level of the dock or
of the water outside. Then, by opening the inner or the outer gate, as
the case may be, the ship can enter the dock or the unprotected waters
outside.
Equipment of both these types is to be found at a number of European
ports, while still other ports, not troubled with a great range of
tide, do not find it necessary to instal them.
[Illustration: A NEW YORK HARBOUR LIGHTER
_Lighters take various forms and perform various tasks. European
lighters are more likely to have pointed ends. American lighters very
often have square ends. Occasionally they have engines of their own,
but generally they depend on tugs for power._
]
Public-domain text, read in full here on John Shaqi.
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