Still, however, this new science was crude. One reason for this was
that ships depended upon the wind for power, and it was a slow task
to compile comparative data. That this was not impossible, though,
is proved by the brilliant American designers of the first half of
the 19th Century, who suddenly evolved the clipper ships that so far
surpassed all previous sailing ships that comparison became mere
contrast.
But it was steam that made it possible for naval architects to develop
their profession to so high a point as it has reached. It was during
the 19th Century, then, that naval architecture made its greatest
progress. Since the 19th Century great improvements have been made, it
is true, and many facts have been discovered, and naval architecture
still is progressing, but the 19th Century made a profession of it, and
the 20th Century is only continuing its development.
The profession of the naval architect is one that is not widely
recognized or understood. When Cass Gilbert designs a Woolworth
Building we recognize him as a great architect, and realize, to some
extent, the great task he has so successfully completed. When the
building is built we view it with interest, perhaps with awe, and
comment on the brilliance of the architect and the ability of the
constructor. And they deserve all the credit they get—and more.
But how often have you ever heard mention made of the architects from
whose brains were evolved the _Mauretania_ and the _Leviathan_, the
_Belgenland_ and the _Majestic_? True, it is commonplace to marvel
at their size. But who thinks of the titanic task that faced their
designers?
And now imagine a Woolworth Building being built on a sloping
runway, and, when completed, slid bodily into the water, across
thousands of miles of which mighty engines placed inside could drive
her at express-train speed. Imagine such a structure, with all the
magnificence of appointments that are to be found in the Woolworth
Building, forcing its way through winter storms with waves pounding
madly at its sides—waves which, striking the ironbound coasts of Maine
or Wales, sometimes tear away tons of the living rock and hurl it
about in a smother of foam. And then compare such a structure with
the greatest ships of to-day. There are several far longer than the
Woolworth Building is tall, but these vast steel hulls do not rest on
foundations of steel and concrete—immovable. They float in the water,
and may pitch and roll in the giant swells of the deep sea, but still
their huge steel frames easily bear the strain, and while a tremor
of the earth might dash skyscrapers disastrously about our ears, the
almost constant motion of the sea, whether violent or weak, affects
them little. For such work as this the architects of ships deserve all
praise.
Public-domain text, read in full here on John Shaqi.
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