but rowed off to the next ship. Then, finally, Columbus was compelled
to order the masts to be cut away, and the ship to be lightened; but
it was of no avail. The water rose inside, and her timbers opened. But
right to the end Columbus the discoverer showed that he was every bit
as fine a seaman as he was a clever navigator.
[Illustration: “ORDERED ... THE CREW TO LAY OUT AN ANCHOR ASTERN.”]
If we would endeavour to fill in the details to our mental picture
of the _Santa Maria_, we can find much that is interesting. We have
already been thinking of her as a three-masted caravel. Let us step
on board and tread her single deck at the waist between the foremast
and main. As we examine the gear we shall find it rough but strong.
The cordage is of hemp, the masts are serviceable, but only rudely
finished. The mainmast measures 2½ feet in diameter, whilst the
yards--like the yard of the lateen-rigged craft--follow the historic
custom of the Mediterranean of being made of two pieces lashed together
at the centre. Aloft flies the admiral’s flag of Columbus, and this
he always carried in his hand when going ashore to take possession of
newly discovered territory.
The hull seems to have been constructed somewhat roughly, and iron
nails are already showing their rusty contact with the sea water.
There is precious little ornamentation, too, for there was not much
decoration expended on ships in those days, and certainly not on a
Flemish merchantman. The hull was painted with tar, whilst below the
water-line it was greased so as to minimise the friction through the
water. To do this it was customary to beach the ship, and on two
occasions during his voyage Columbus saw that this was done. On deck
a couple of hatchways led to the hold. The quarter-deck extended from
about midships to the stern, and above this rose the poop-deck. On the
latter were the quarters of the admiral. We know from this journal that
Columbus’s bed was draped in red, and that there was certainly room
for several persons to be seated in this cabin. There was a press for
his clothes, a stool, a couple of chairs, and a dining-table for two
persons, the furniture being all fashioned in the Gothic style which
was then prevalent. Add to this inventory charts and books, as well as
an astrolabe, and you have the picture of his cabin complete.
Public-domain text, read in full here on John Shaqi.
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