heart if we take our pleasures ungraciously, when so many have no pleasures to take. I would suggest, then, to those on whom the curse of choice between pleasures rests, that they should keep in mind those who have chiefly pains to their portion in life. I am not, I hope, urging my readers to any active benevolence, or counselling them to share their pleasures with others; it has been accurately ascertained that there are not pleasures enough to go round, as things now are; but I would seriously entreat them to consider whether they could not somewhat alleviate the hardships of their own lot at the sea-side or among the mountains, by contrasting it with the lot of others in the sweat-shops and the boiler-factories of life. I know very well that it is no longer considered very good sense or very good morality to take comfort in one's advantages from the disadvantages of others, and this is not quite what I mean to teach. Perhaps I mean nothing more than an overhauling of the whole subject of advantages and disadvantages, which would be a light and agreeable occupation for the leisure of the summer outer. It might be very interesting, and possibly it might be amusing, for one stretched upon the beach or swaying in the hammock to inquire into the reasons for his or her being so favored, and it is not beyond the bounds of expectation that a consensus of summer opinion on this subject would go far to enlighten the world upon a question that has vexed the world ever since mankind was divided into those who work too much and those who rest too much. AESTHETIC NEW YORK FIFTY-ODD YEARS AGO A study of New York civilization in 1849 has lately come into my hands, with a mortifying effect, which I should like to share with the reader, to my pride of modernity. I had somehow believed that after half a century of material prosperity, such as the world has never seen before, New York in 1902 must be very different from New York in 1849, but if I am to trust either the impressions of the earlier student or my own, New York is essentially the same now that it was then. The spirit of the place has not changed; it is as it was, splendidly and sordidly commercial. Even the body of it has undergone little or no alteration; it was as shapeless, as incongruous; as ugly when the author of 'New York in Slices' wrote as it is at this writing; it has simply grown, or overgrown, on the moral and material lines which seem to have been structural in it from the beginning. He felt in his time the same vulgarity, the same violence, in its architectural anarchy that I have felt in my time, and he noted how all dignity and beauty perished, amid the warring forms, with a prescience of my own affliction, which deprives me of the satisfaction of a discoverer and leaves me merely the sense of being rather old-fashioned in my painful emotions. I.