To Henry the strike meant little. He sensed a little of it, through
the things that he read in the badly printed weekly paper at Elsie, he
understood the guards who tramped up and down the right of way warning
him back whenever he threw a leg over the fence. But as the trouble
grew more tense, as bridges went up in horrific explosions, as trains
were wrecked mysteriously and engineers intimidated, Henry saw the
strain of it reflected in the harassed eyes of Mary Hill. There was
a young marine in the station now, whenever he tramped down in the
mornings--a cocky youth with dark eyes and a proud scowl.
A day or two after that, Henry bought a heavy calibered revolver from
the black-smith. That night he nailed a tobacco can on his woodshed,
and when Mary Hill came by, he haled her in and made her practise
shooting at the can till she could hit it three times out of six--till
the palm of her hand was blistered by the heavy stock.
"They blew the bridge at Alapaha last night," she told him, as he
rubbed melted resin on the blisters. Henry could understand much that
she said by this time, if she spoke slowly and distinctly. He nodded.
"You keep this here and use it," he ordered, oiling the cylinder and
loading it deftly. "Gun ain't no good if you're scart of it. And if
that soldier down there gives you any sass you pop him over, too. I
don't like the look of him, no time--he's too blame' smart."
A slow color crept over Mary Hill's face at this, and with it a
crawling chill was communicated to old Henry's heart. There was a
rift--tiny, almost imperceptible, yet appalling to the lonely old man
to whom the friendship of this girl had come to be such a tremendous
thing. Her eyes avoided his for an instant, then the dancing laughter
came into them again. She laid the grim gun down on the back steps and
snatched at the old man's hand. Henry knew what she wanted--to see
that cherry tree. She had bought it for him from a fruit tree peddler
and they had watched the opening of every bud. It ought to be in bloom
today--every flower open. They hurried past the pie-plant row and the
humming beehives. At the fence old Henry Hornbone halted, aghast. He
wavered a bit, and then black, militant wrath darkened his face.
The little cherry tree was bent sideways, half stripped of its bark,
wilted, trampled. And beside it, driven grimly into the ground was
a very new white post, very blatantly lettered in black--"B. & A.
RAILROAD. RIGHT OF WAY."
Public-domain text, read in full here on John Shaqi.
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