Short Stories of the New America: Interpreting the America of this age to high school boys and girls
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Short Stories of the New America: Interpreting the America of this age to high school boys and girls
Short stories; World War, 1914-1918 -- Fiction
She droned on, the other woman making dry automatic sounds of assent.
She looked cool—Maw—Luke thought; but she wasn’t. Not by a darn sight!
There was a spot of pink in each cheek and she stared hard every little
bit at Grampaw Peel’s funeral plate on the mantel. Luke knew what she
was thinking of—poor Maw! She was burning in a fire of her own
lighting. She had brought it all on herself—on the whole lot of them.
Years ago she had been just like Aunt Mollie. The daughters of a
prosperous village carpenter, they had shared beads, beaux and bangles
until Maw, in a moment’s madness, had chucked it all away to marry poor
Paw. Now she had made her bed, she must lie in it. Must sit and say
“Thank you!” for Aunt Mollie’s leavings, precious scraps she dared not
refuse—Maw, who had a pride as fierce and keen as any! It was devilish!
Oh, it was kind of Aunt Mollie to give; it was the taking that came so
bitter hard. And then they weren’t genteel about their giving. There was
always that air of superiority, that conscious patronage, as now, when
Uncle Clem, breaking off his conversation with the invalid in the next
room about the price of mutton on the hoof and the chances of the
Democrats’ getting in again, stopped fiddling with his thick plated
watch chain and grinned across at big Tom to fling his undeviating
flower of wit:
“Runnin’ all to beef, hain’t ye, Tom, boy? Come on down to the market
an’ we’ll git some A 1 sirloins outen ye, anyway. Do your folks that
much good.”
It was things like this that made Luke want to burn, poison, or shoot
Uncle Clem. He was not a bad man, Uncle Clem—a thick sandy chunk of a
fellow, given to bright neckties and a jocosity that took no account of
feelings. Shaped a little like a log, he was—back of his head and back
of his neck—all of a width. Little lively green eyes and bristling red
mustaches. A complexion a society bud might have envied. Why was it a
butcher got so pink and white and sleek? Pork, that’s what Uncle Clem
resembled, Luke thought—a nice, smooth, pale-fleshed pig, ready to be
skinned.
His turn next! When crops and politics failed and the joke at poor
Tom—Tom always giggled inordinately at it, too—had come off, there was
sure to be the one about himself and the lame duck next. To divert
himself of bored expectation, Luke turned to stare at his cousin,
S’norta.
S’norta, sitting quietly in a chair across the room, was seldom known to
be emotional. Indeed, there were times when Luke wondered whether she
had not died in her chair. One had that feeling about S’norta, so
motionless was she, so uncompromising of glance. She was very
prosperous-looking, as became the heiress to the Cheesman meat
business—a fat little girl of twelve, dressed with a profusion of
ruffles, glass pearls, gilt buckles, and thick tawny curls that might
have come straight from the sausage hook in her papa’s shop.
Public-domain text, read in full here on John Shaqi.
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