The Count stopped, as though to get his bearings, and while they waited
for him to go on Brown nudged Jaune to look at the delightfully
picturesque frame house, set in a deep niche between two high brick
houses, with the wooden stair elbowing up its outside to its third
story. It came out wonderfully well in the moonlight, but Jaune was too
much excited even to glance at it.
At the next group of corners--where Fourth Street crosses Grove and
Christopher Streets at the point where they go sidling into each other
along the slanting lines of the little park--the Count halted again.
Evidently, the exceeding crookedness of Greenwich Village puzzled him--
as well it might. Presently a Christopher Street car came along and set
him straight; and thus guided, he started resolutely westward, as
though heading for the river.
"Is it posseeble that he goes 'imself to drown?" suggested d'Antimoine.
"No such good luck," Brown answered shortly.
Coming out on what used to be called "the Strand"--West Street they
call it now--the Count bore away from the lights of the Hoboken Ferry
and from the guarded docks of the White Star and Anchor lines of
steamers, skirted the fleet of oyster boats, and so came to the quiet
pier at the foot of Perry Street, where the hay barges unload. This
pier runs a long way out into the river, for it is a part of what was
called Sapo-kamikke Point in Indian times. The Count stopped and looked
cautiously around him, but his pursuers promptly crouched behind a dray
and became invisible.
As he went out upon the pier, though, they were close upon his heels--
walking noiselessly over the loose hay and keeping themselves hidden in
the shadow of the barges and behind the piles of bales. At the very end
of the pier he stopped. Jaune and Brown, hidden by a bale of hay, were
within five feet of him. Their hearts were beating tremendously. There
had been no tragical purpose in their minds when they started, but it
certainly did look now as though they were in the thick of a tragedy.
In the crisp October moonlight the Count's face shone deathly pale;
they could see the fingers of his right hand working convulsively; they
could hear his labored breathing. Below him was the deep, black water,
lapping and rippling as the swirl of the tide sucked it into the dark,
slimy recesses among the piles. In its bosom was horrible death. The
Count stepped out upon the very edge of the pier and gazed wofully down
upon the swelling waters. His dismal purpose no longer admitted of
doubt. Involuntarily the two followed him until they were close at his
back. Little as they loved him, they could not suffer him thus
despairingly to leave the world.
Public-domain text, read in full here on John Shaqi.
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