German fiction -- Translations into English; Short stories, German -- Translations into English
BERLIN, January 8.
Dear Gustav--I have a great piece of news to tell you. My wife
returned to me yesterday, and at my earnest solicitation. I thought
I could no longer live _with_ her, but I find it equally impossible
to live _without_ her. I have just discovered that she too was very
unhappy during the time of our separation, but she would never have
acknowledged it, for her’s is the stronger character of the two. I do
not know how to explain the miracle, but we love each other more dearly
than ever. We are celebrating a new honeymoon. The great questions of
life drove us apart, but is it only the little ones which have reunited
us? Would you suppose that one could find a half-desiccated heart
in the pocket of an old fur coat? The stately edifice of my worldly
knowledge totters on its foundations, dear Gustav. I have a great deal
to unlearn.
MAX.
THE DEAD ARE SILENT
BY ARTHUR SCHNITZLER
[Illustration]
_This Viennese dramatist, whose status as an author is still
in the balance, was born in 1862. He studied medicine at the
University of Vienna and afterward assisted his father at the
Vienna General Polytechnic. At his father’s death, in 1893, he
gave up medicine as a profession and began his literary career
with a volume of poems._
_Schnitzler has the dramatic feeling in all that he
writes--from his earliest poems, through his short stories, to
his dramas proper, one of the most popular of which, “The Green
Parrot,” was acted in French with great success at the Théâtre
Antoine in Paris in 1907. Of his novels, one of the latest is
“Lieutenant Gustl,” published in 1900. His talent, however,
is not yet formed--it is in a tentative state, grotesque,
realistic, sentimental--but it will not remain so long, if it
can produce many more such admirable stories as “The Dead Are
Silent.”_
[Illustration]
THE DEAD ARE SILENT
BY ARTHUR SCHNITZLER
Copyright, 1907, by Courtland H. Young.
He could endure the quiet waiting in the carriage no longer; it was
easier to get out and walk up and down. It was now dark; the few
scattered lamps in the narrow side street quivered uneasily in the
wind. The rain had stopped, the sidewalks were almost dry, but the
rough-paved roadway was still moist, and little pools gleamed here and
there.
“Strange, isn’t it?” thought Franz. “Here we are scarcely a hundred
paces from the Prater, and yet it might be a street in some little
country town. Well, it’s safe enough, at any rate. She won’t meet any
of the friends she dreads so much here.”
Public-domain text, read in full here on John Shaqi.
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