French fiction -- Translations into English; Short stories, French -- Translations into English
I peered through my room with a feeling of expectation which nothing
actually justified; the furniture was precisely in place; the lamp
burned upon its bracket, softly shaded by the milky whiteness of its
dull crystal; the water-color sketches shone under their Bohemian
glass; the curtains hung languidly: everything had an air slumbrous and
tranquil.
Presently, however, this calm interior appeared to become troubled:
the woodwork cracked furtively, the log enveloped in cinders suddenly
emitted a jet of blue flame, and the circular ornaments on the frieze
seemed like metallic eyes, watching, like myself, for the things which
were about to happen.
My gaze by chance fell upon the desk where I had placed the foot of the
Princess Hermonthis.
Instead of being immobile, as became a foot which had been embalmed for
four thousand years, it moved uneasily, contracted itself and leaped
over the papers like a frightened frog: one would have imagined it to
be in contact with a galvanic battery. I could quite distinctly hear
the dry sound made by its little heel, hard as the hoof of a gazelle.
I became somewhat discontented with my acquisition, preferring my
paper-weights to be sedentary, and thought it a little unnatural that
feet should walk about without legs; indeed, I commenced to feel
something which strongly resembled fear.
Suddenly I saw the folds of one of my bed-curtains stir, and I heard
a bumping sound, like that of a person hopping on one foot. I must
confess I became alternately hot and cold, that I felt a strange
wind blow across my back, and that my suddenly rising hair caused my
nightcap to execute a leap of several yards.
The bed-curtains parted, and I beheld coming towards me the strangest
figure it is possible to imagine.
It was a young girl, of a deep _café-au-lait_ complexion, like the
bayadere[1] Amani, of a perfect beauty, and recalling the purest
Egyptian type. She had almond eyes with the corners raised, and brows
so black that they seemed blue; her nose was delicately chiselled,
almost Grecian in its fineness of outline, and indeed she might have
been taken for a statue of Corinthian bronze had not the prominence of
the cheekbones and the slightly African lips made it impossible not to
recognize her as belonging beyond doubt to the hieroglyphic race of the
banks of the Nile.
Her arms, slender and turned with the symmetry of a spindle--like
those of very young girls--were encircled by a kind of metal bands
and bracelets of glass beads; her hair was plaited in cords; and upon
her bosom was suspended a little idol of green paste, which, from its
bearing a whip with seven lashes, enabled one to recognize it as an
image of Isis, conductress of spirits. A disk of gold scintillated upon
her brow, and a few traces of rouge relieved the coppery tint of her
cheeks.
Public-domain text, read in full here on John Shaqi.
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