Short Studies on Great SubjectsFroude, James Anthony
Religion
Short Studies on Great Subjects
Froude, James Anthony
English essays; English literature; History; Religion -- Biography
what was passing in them, he attributes it (and now he is unjust to
them) to a falsehood of heart, and not to a blindness of understanding.
Their sermons, so kindly intended, roll past him as a dismal mockery.
They had been shocked (and how true again is this to nature) at his
passionate cry for death. 'Do ye reprove words?' he says, 'and the
speeches of one that is desperate, which are as wind?' It was but poor
friendship and narrow wisdom. He had looked to them for pity, for
comfort, and love. He had longed for it as the parched caravans in the
desert for the water-streams, and 'his brethren had dealt deceitfully
with him.' The brooks, in the cool winter, roll in a full turbid
torrent; 'what time it waxes warm they vanish, when it is hot they are
consumed out of their place; the caravans of Tema looked for them, the
companies of Sheba waited for them; they were confounded because they
had hoped; they came thither, and there was nothing.' If for once these
poor men could have trusted their hearts, if for once they could have
believed that there might be 'more things in heaven and earth' than were
dreamt of in their philosophy--but this is the one thing which they
could not do, which the theologian proper never has done or will do. And
thus whatever of calmness or endurance Job alone, on his ash-heap, might
have conquered for himself, is all scattered away; and as the strong
gusts of passion sweep to and fro across his heart, he pours himself out
in wild fitful music, so beautiful because so true, not answering them
or their speeches, but now flinging them from him in scorn, now
appealing to their mercy, or turning indignantly to God; now praying for
death; now in perplexity doubting whether, in some mystic way which he
cannot understand, he may not, perhaps, after all, really have sinned,
and praying to be shown his fault; and then staggering further into the
darkness, and breaking out into upbraidings of the Power which has
become so dreadful an enigma to him. 'Thou enquirest after my iniquity,
thou searchest after my sin, and thou knowest that I am not wicked. Why
didst thou bring me forth out of the womb? Oh, that I had given up the
ghost, and no eye had seen me. Cease, let me alone. It is but a little
while that I have to live. Let me alone, that I may take comfort a
little before I go, whence I shall not return to the land of darkness
and the shadow of death.' In what other poem in the world is there
pathos deep as this? With experience so stern as his, it was not for Job
to be calm, and self-possessed, and delicate in his words. He speaks not
what he knows, but what he feels; and without fear the writer allows him
to throw out his passion all genuine as it rises, not overmuch caring
how nice ears might be offended, but contented to be true to the real
emotion of a genuine human heart. So the poem runs on to the end of the
first answer to Zophar.
Public-domain text, read in full here on John Shaqi.
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