himself remained to the last hateful to him, Faust is saved by the angels.... It will be eagerly answered for the established belief, that such cases are its especial province. All men are sinners, and _it_ possesses the blessed remedy for sin. But, among the countless numbers of those characters so strangely mixed among us, in which the dark and the bright fibres cross like a meshwork; characters at one moment capable of acts of heroic greatness, at another hurried by temptation into actions which even common men may deplore, how many are there who have never availed themselves of the conditions of reconciliation as orthodoxy proffers them, and of such men what is to be said? It was said once of a sinner that to her 'much was forgiven, for she loved much.' But this is language which theology has as little appropriated as the Jews could appropriate the language of Job. It cannot recognise the power of the human heart. It has no balance in which to weigh the good against the evil; and when a great Burns or a Mirabeau comes before it, it can but tremblingly count up the offences committed, and then, looking to the end, and finding its own terms not to have been complied with, it faintly mutters its anathema. Sin only it can apprehend and judge; and for the poor acts of struggling heroism, 'Forasmuch as they were not done,' &c., &c., it doubts not but they have the nature of sin.[M] Something of the difficulty has been met by Goethe, but it cannot be said that he has resolved it; or at least that he has furnished others with a solution which may guide their judgment. In the writer of the Book of Job there is an awful moral earnestness before which we bend as in the presence of a superior being. The orthodoxy against which he contended is not set aside or denied; he sees what truth is in it; only he sees more than it, and over it, and through it. But in Goethe, who needed it more, inasmuch as his problem was more delicate and difficult, the moral earnestness is not awful, is not even high. We cannot feel that in dealing with sin he entertains any great horror of it; he looks on it as a mistake, as undesirable, but scarcely as more. Goethe's great powers are of another kind; and this particular question, though in appearance the primary subject of the poem, is really only secondary. In substance, Faust is more like Ecclesiastes than it is like Job, and describes rather the restlessness of a largely-gifted nature which, missing the guidance of the heart, plays experiments with life, trying knowledge, pleasure, dissipation, one after another, and hating them all; and then hating life itself as a weary, stale, flat, unprofitable mockery. The temper exhibited here will probably be perennial in the world. But the remedy for it will scarcely be more clear under other circumstances than it is at present, and lies in the disposition of the emotions, and not in any propositions which can be addressed to the understanding.