Shorter novels, vol. 3 : $b Eighteenth centuryJohnson, Samuel
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Shorter novels, vol. 3 : $b Eighteenth century
Johnson, Samuel
English fiction -- 18th century
The chief of the eunuchs, trembling with fear, besought Vathek that a
fire might be kindled. “No,” replied he, “there is no time left to think
of such trifles. Abide where thou art, and expect my commands.” Having
thus spoken, he presented his hand to Nouronihar; and ascending the
steps of a vast staircase, reached the terrace, which was flagged with
squares of marble, and resembled a smooth expanse of water, upon whose
surface not a blade of grass ever dared to vegetate. On the right rose
the watch-towers, ranged before the ruins of an immense palace, whose
walls were embossed with various figures. In front stood forth the
colossal forms of four creatures, composed of the leopard and the
griffin, and though but of stone, inspired emotions of terror. Near
these were distinguished, by the splendour of the moon, which streamed
full on the place, characters like those on the sabres of the Giaour,
and which possessed the same virtue of changing every moment. These,
after vacillating for some time, fixed at last in Arabic letters, and
prescribed to the caliph the following words: “Vathek, thou hast
violated the conditions of my parchment, and deservest to be sent back;
but in favour to thy companion, and as the meed for what thou hast done
to obtain it, Eblis permitteth that the portal of his palace shall be
opened, and the subterranean fire will receive thee into the number of
its adorers.”
He scarcely had read these words before the mountain, against which the
terrace was reared, trembled, and the watch-towers were ready to topple
headlong upon them; the rock yawned, and disclosed within it a staircase
of polished marble, that seemed to approach the abyss. Upon each stair
were planted two large torches, like those Nouronihar had seen in her
vision, the camphorated vapour of which ascended and gathered itself
into a cloud under the hollow of the vault.
Public-domain text, read in full here on John Shaqi.
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