Shorter novels, vol. 3 : $b Eighteenth centuryJohnson, Samuel
General
Shorter novels, vol. 3 : $b Eighteenth century
Johnson, Samuel
English fiction -- 18th century
The cocknos is a bird whose beak is much esteemed for its beautiful
polish, and sometimes used as a spoon. Thus, in the _History of
Atalmulck and Zelica Begum_, it was employed for a similar purpose:
“Zelica having called for refreshment, six old slaves instantly brought
in and distributed _Mahramas_, and then served about in a great basin of
Martabam, a salad _made of herbs of various kinds, citron juice, and the
pith of cucumbers_. They served it first to the Princess in a _cocknos
beak_: she took a beak of the salad, ate it, and gave another to the
next slave that sat by her on her right hand; which slave did as her
mistress had done.”
PAGE 243. _Ghouls_
Ghoul, or _ghul_, in Arabic, signifies any terrifying object, which
deprives people of the use of their senses. Hence it became the
appellative of that species of monster which was supposed to haunt
forests, cemeteries, and other lonely places; and believed not only to
tear in pieces the living, but to dig up and devour the
dead.--RICHARDSON’S _Dissertation on the Languages, etc., of Eastern
Nations_, pp. 174, 274.
That kind of insanity called by the Arabians _Kutrub_ (a word signifying
not only a _wolf_, but likewise a _male Ghoul_), which incites such as
are afflicted with it to roam howling amidst those melancholy haunts,
may cast some light on the nature of the possession recorded by St.
Mark, ch. v, I, etc.
PAGE 244. _... feathers of the heron, all sparkling with carbuncles_
Panaches of this kind are amongst the attributes of Eastern
royalty.--_Tales of Inatulla_, vol. ii, p. 205.
PAGE 244. _... whose eyes pervade the inmost soul of a female_
The original in this instance, as in the others already noticed, is more
analogous to the French than the English idiom: “_Dont l’œil pénètre
jusqu’à la moelle des jeunes filles._”
PAGE 244. _... the carbuncle of Giamschid_
Public-domain text, read in full here on John Shaqi.
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