Shorter novels, vol. 3 : $b Eighteenth centuryJohnson, Samuel
General
Shorter novels, vol. 3 : $b Eighteenth century
Johnson, Samuel
English fiction -- 18th century
No, says Voltaire, in his edition of Corneille, this mixture of
buffoonery and solemnity is intolerable.--Voltaire is a genius--but not
of Shakespeare’s magnitude. Without recurring to disputable authority, I
appeal from Voltaire to himself. I shall not avail myself of his former
encomiums on our mighty poet, though the French critic has twice
translated the same speech in _Hamlet_, some years ago in admiration,
latterly in derision; and I am sorry to find that his judgment grows
weaker when it ought to be farther matured. But I shall make use of his
own words, delivered on the general topic of the theatre, when he was
neither thinking to recommend or decry Shakespeare’s practice;
consequently at a moment when Voltaire was impartial. In the preface to
his _Enfant Prodigue_, that exquisite piece, of which I declare my
admiration, and which, should I live twenty years longer, I trust I
shall never attempt to ridicule, he has these words, speaking of comedy
(but equally applicable to tragedy, if tragedy is, as surely it ought to
be, a picture of human life; nor can I conceive why occasional
pleasantry ought more to be banished from the tragic scene, than
pathetic seriousness from the comic): “_On y voit un melange de serieux
et de plaisanterie, de comique et de touchant; |souvent meme une seule
avanture| produit tous ces contrastes. Rien n’est si commun qu’une
maison dans laquelle |un pere gronde|, |une fille occupée de sa passion
pleure|; le fils se moque des deux, et quelques parens prennent
part differemment à la scene, etc. Nous n’inferons pas de là que toute
comedie doive avoir des scenes de bouffonerie et des scenes
attendrissantes: il y a beaucoup de tres bonnes pièces où il ne regne
que de la gayeté; d’autres toutes serieuses; d’autres melangées:
d’autres où l’attendrissement va jusqu’aux larmes: |il ne faut donner
l’exclusion à aucun genre|: et si l’on me demandoit quel genre est le
meilleur, je repondrois, celui qui est le mieux traité._” Surely if a
comedy may be _toute serieuse_, tragedy may now and then, soberly, be
indulged in a smile. Who shall proscribe it? shall the critic, who, in
self-defence, declares that _no kind_ ought to be excluded from comedy,
give laws to Shakespeare?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account