Humorous stories; New York (N.Y.) -- Fiction; Short stories, American
"Why," says I, "mostly Wall Street men, with a sprinklin' of afternoon
tea Johnnies, such as Pinckney here."
"No objectionable persons, I trust?" says he.
"Any roughneck gets the quick dump," says I.
"Ah, I think I catch your meaning," says he, "and I've no doubt your
establishment can supply precisely what my son needs in the way of
exercise. I suppose, however, I'd best see for myself. May we go now?"
"Sure," says I. "No special visitin' days."
"Then I'll 'phone Winthrop to meet us there," says he.
Seems he couldn't get Son direct; but he leaves word at his office, and
then off we goes in Pinckney's limousine de luxe. It ain't often I worry
any about the outside looks of things at the joint; but somehow, with
this elegant old party comin' to inspect, I was kind of hopin' the
stairs had been swept and that Swifty Joe wouldn't have any of his Red
Hook friends callin' on him.
So I most gasps when we piles out in front of the studio and finds a mob
that extends from the curb to the front door. Not only that, but the
lower hall is crowded, and they line the stairs halfway up. And such a
bunch! Waps, Dagoes, Matzers, Syrians, all varieties.
"By Jove, though!" says Pinckney. "What's all this?"
"Looks like someone was openin' a sweatshop in the buildin', don't it!"
says I. "If that's so, here's where I break my lease."
"Really," says Mr. Hubbard, eyin' the crowd doubtful, "I hardly believe
I care to----"
"Ah, I'll clear 'em out in two shakes," says I. "Just follow after me.
Hey, you! _Heim gagen_. Mushong! Gangway, gangway!" and I motions
threatenin'. "Ah, beat it, you garlic destroyers!" I sings out. "Back up
there, and take your feet with you! Back, you fatheads!" and I sends one
caromin' to the right and another spinnin' to the left.
The best I could do, though, was to open a three-foot lane through 'em,
and there they stuck, lined up on either side like they was waitin' for
a parade. It was something like that too,--me leadin' the way, Pinckney
steerin' J. Q. by the arm. We'd got inside the doorway without a word
bein' said, when a bright-eyed Dago girl with a rainbow-tinted
handkerchief about her neck breaks the spell.
"Picture, Meester--take-a da picture?" says she pleadin'. With that the
others breaks loose. "Picture, Meester! Please-a, Meester? Picture,
picture!" They says it in all sorts of dialects, with all sorts of
variations, all beggin' for the same thing. "Picture, picture!" They
reaches out, grabbin' at our coat sleeves. Three of 'em had hold of J.
Q. at once when I whirls on 'em.
"Ah, ditch the chorus!" I yells at 'em. "What do you think this is,
anyway, a movie outfit? Get back there! Hands off, or I call the cops!"
It's strenuous work; but I manages to quiet 'em long enough for Pinckney
and Mr. Hubbard to get through and slip up to the studio. Then I tries
to shoo the bunch into the street; but they don't shoo for a cent. They
still demands to have their pictures taken.
Public-domain text, read in full here on John Shaqi.
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