Shoulder-Straps: A Novel of New York and the Army, 1862Morford, Henry
History
Shoulder-Straps: A Novel of New York and the Army, 1862
Morford, Henry
United States -- History -- Civil War, 1861-1865 -- Fiction
Quite as notable a change has taken place in personal reputation. Many
of the men on whom the country depended as most likely to prove able
defenders in the day of need, have not only discovered to the world
their worthlessness, but filled up the fable of the man who leaned upon
a reed, by fatally piercing those whom they had betrayed to their fall.
Bubble-characters have burst, and high-sounding phrases have been
exploded. Men whose education and antecedents should have made them
brave and true, have shown themselves false and cowardly--impotent for
good, and active only for evil. Unconsidered nobodies have meanwhile
sprung forth from the mass of the people, and equally astonished
themselves and others by the power, wisdom and courage they have
displayed. In cabinet and camp, in army and navy, in the editorial chair
and in the halls of eloquence, the men from whom least was expected have
done most, and those upon whom the greatest expectations had been
founded have only given another proof of the fallacy of all human
calculations. All has been change, all has been transition, in the
estimation men have held of themselves and the light in which they
presented themselves to each other.
Opinions of duties and recognitions of necessities have known a change
not less remarkable. What yesterday we believed to be fallacy, to-day we
know to be the truth. What seemed the fixed and immutable purpose of God
only a few short months ago, we have already discovered to have been
founded only in human passion or ambition. What seemed eternal has
passed away, and what appeared to be evanescent has assumed stability.
The storm has been raging around us, and doing its work not the less
destructively because we failed to perceive that we were passing through
anything more threatening than a summer shower. While we have stood upon
the bank of the swelling river, and pointed to some structure of old
rising on the bank, declaring that not a stone could be moved until the
very heavens should fall, little by little the foundations have been
undermined, and the full crash of its falling has first awoke us from
our security. That without which we said that the nation could not live,
has fallen and been destroyed; and yet we know not whether the nation
dies, or grows to a better and more enduring life. What we cherished we
have lost; what we did not ask or expect has come to us; the effete but
reliable old is passing away, and out of the ashes of its decay is
springing forth a new so unexpected and so little prepared for that it
may be salvation or destruction as the hand of God shall rule. The past
of the nation lies with the sunken Cumberland in the waters of Hampton
Roads; its future floats about in a new-fangled Monitor, that may combat
and defeat the navies of the world or go to the bottom with one
inglorious plunge.[5] And this general transition brings us back to the
negro, whose apotheosis is after all only a part of the inevitable, and
Public-domain text, read in full here on John Shaqi.
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