1778, Sept. 2 to 4. The performances this time (and for fifteen festivals after), were at St. Philip's Church, and at the newly-built theatre in New Street, the oratorios, &c., including "Judas Maccabæus," the "Messiah," Handel's "Te Deum," "Jubilate," "Acis and Galatea," &c. Principal performers: Miss Mahon, Miss Salmon, Mr. C. Norris, and Cervetto, a celebrated violoncellist, the leader of the band being Mr. William Cramer, a popular violinist. The choir had the assistance of "the celebrated women chorus singers from Lancashire." The receipts were again about £800, and the profits £340, which sum was divided between the Hospital and the building fund for St. Paul's. 1784, Sept. 22 to 24. President: Lord Dudley and Ward. Following after the celebrated Handel Commemoration the programme was filled almost solely with selections from Handel's works, the only novelty being the oratorio of "Goliath," composed by Mr. Atterbury, which according to one modern musical critic, has never been heard of since. Master Bartleman, who afterwards became the leading bass singer of the day, was the novelty among the performers. Receipts, £1,325; profits, £703. 1787, Aug. 22 to 24. President, the Earl of Aylesford. In addition to the miscellaneous (mostly Handelian) pieces, the oratories performed were "Israel in Egypt" and the "Messiah," the latter being so remarkably successful that an extra performance of it was given on the Saturday following. Among the perfumers were Mrs. Billington (first soprano), Mr. Samuel Harrison (one of the finest tenor singers ever heard in England), and Mr. John Sale (a rich-toned bass), and the "women chorus." Receipts about £2,000; profits, £964. 1790, Aug. 25 to 27. President, Lord Dudley and Ward. The "Messiah," with miscellaneous selections, the principal performers being Madame Mara, Mr. Reinhold, and Mr. Charles Knyvett, with Jean Mara (violoncellist) and John Christian Fischer (oboeist) The prices of admission were raised at this Festival to 10s. 6d. and 7s.; Theatre boxes 7s. 6d., pit 5s., gallery 3s. 6d. Receipts £1,965 15s.; profits £958 14s. 1796, Aug. 31 to Sept. 2, President, the Earl of Aylesford. The performances were like those of 1790, of a general character, besides the "Messiah;" while the two principal sopranos were the Misses Fletcher, daughters of a local musician. The trombone was introduced at this Festival for the first time. Receipts £2,043 18s.; profits £897. 1792, September 18 to 20. President, the Earl of Warwick. The "Messiah," with vocal and instrumental selections of the usual character. Miss Poole and Master Elliott among the vocalists, with Mr. Holmes (bassoonist) and Signor Mariotti (trombone player), were chief of the newly-introduced performers. Receipts, £2,550; profits, £1,470.