Showell's Dictionary of Birmingham: A History and Guide, Arranged AlphabeticallyHarman, Thomas T.
History
Showell's Dictionary of Birmingham: A History and Guide, Arranged Alphabetically
Harman, Thomas T.
Birmingham (England) -- History -- Dictionaries
1843, Sept. 19 to 22. President, Earl Craven. The performances at the
Town Hall included Handel's oratorio, "Deborah," Dr. Crotch's
"Palestine," and Rossini's "Stabat Mater," the introduction of the
latter causing a considerable flutter among some of the local clergy,
one of whom described it as the most idolatrous and anti-Christian
composition that could be met with. The Theatre this year was used for
three evening concerts, &c. Among the new vocalists were Miss Rainforth,
Signor Mario, Signer Fornasari, and Mr. Manvers. The organists were Dr.
Samuel Sebastian Wesley and our Mr. James Stimpson, who had succeeded
Mr. George Hollins as Town Hall organist in the previous year. Receipts,
£8,822; profits, £2,916.
1846, Aug. 25 to 28. President, Lord Wrottesley. This is known as "The
Elijah Festival," from the production of Mendelssohn's _chef d'oeuvre_
the "Elijah" oratorio. The performers were mostly those who had been
here before, save Miss Bassano, the Misses Williams, Mr. Lockey, and
Herr Joseph Staudigl. Receipts, £11,638; profits, £5,508.
1849, Sept. 4 to 7. President, Lord Guernsey. This Festival is
especially noteworthy as being the first conducted by Sir Michael Costa,
also for the number of "principals" who had not previously taken part in
the Festivals, for the extreme length of the evening programmes, each
lasting till after midnight; and, lastly, from the fact, that out of a
body of 130 instrumentalists, only eight or nine Birmingham musicians
could be found to please the _maestro's_ taste. The oratorios of the
"Messiah," "Elijah," and "Israel in Egypt," were the principal pieces,
with Mendelssohn's "First Walpurgis Night," and Prince Albert's
"L'Invocazione dell' Armonia;" the remainder being of the most varied
character. The first appearances included Madame Sontag, Madame
Castellan, Miss Catherine Hayes, Mdlle. Alboni, Miss Stevens (afterwards
Mrs. Hale), Mdlle. Jetty de Treffz, Sims Reeves, Herr Pischek (baritone
basso), Signor Bottesini (double bass), M. Sigismund Thalberg (pianist),
M. Prospere Sainton (violinist), &c. Receipts £10,334; profits, £2,448.
1852, Sept. 7 to 10. President, Lord Leigh. Handel's oratorio, "Samson,"
and Mendelssohn's unfinished "Christus," were the chief new works; and
the principal stangers were Madame Viardot-Garda, Miss Dolby, Signor
Tamberlik, Herr Formes, Signor Belletti, Mr. Weiss, Signor Piatti
(violoncello), Signer Bottisini (double bass), and Herr Kuhe
(pianoforte) Receipts £11,925; profits £4,704.
1855, Aug. 28 to 31. President, Lord Willoughby de Broke, The programme
included Costa's "Eli" (composed for the occasion), Beethoven's "Mount
of Olives," Glover's "Tam O'Shanter," Macfarren's cantata "Lenora," and
Mozart's "Requiem;" the fresh artistes being Madame Rudersdorf, Signor
Gardoni, and Herr Reichardt. Receipts £12,745; profits, £3,108, in
addition to £1,000 spent on decorating, &c., the Hall and organ.
Public-domain text, read in full here on John Shaqi.
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