Showell's Dictionary of Birmingham: A History and Guide, Arranged AlphabeticallyHarman, Thomas T.
History
Showell's Dictionary of Birmingham: A History and Guide, Arranged Alphabetically
Harman, Thomas T.
Birmingham (England) -- History -- Dictionaries
_Gillott_.--Joseph Gillott was born at Sheffield in 1799, but through
want of work found his way here in 1822, spending his last penny in
refreshments at the old publichouse then standing at corner of Park
Street, where the Museum Concert Hall exists. His first employment was
buckle making, and being steady he soon took a garret in Bread Street
and became his own master in the manufacture of buckles and other "steel
toys." The merchant who used to buy of him said "Gillott made very
excellent goods, and came for his money every week." It was that making
of excellent goods and his untiring perseverance that secured him
success. His sweetheart was sister to William and John Mitchell, and it
is questionable whether Gillott's first efforts at making steel pens did
not spring from the knowledge he gained from her as to what the
Mitchells were doing in that line. The Sheffield blade, however, was the
first to bring the "press" into the proeess of making the pens, and that
secret he must have kept pretty closely from all but his lass, as Mr. J.
Gillott often told, in after life, how, on the morning of his marriage,
he began and finished a gross of pens, and sold them for £7 4s. before
they went to church. The accumulation of his fortune began from that
day, the name of Gillott in a very few years being known the wide world
over. The penmaker was a great patron of the artists, gathering a famous
collection which at his death realised £170,000. His first interview
with Turner was described in an American journal a few years back.
Gillott having rudely pushed his way into the studio and turning the
pictures about without the artist deigning to notice the intruder, tried
to attract attention by asking the prices of three paintings. Turner
carelessly answered "4,000 guineas," "£3,000," and "1,500 guineas."
"I'll take the three," said Gillott. Then Turner rose, with "Who the
devil are you to intrude here against my orders? You must be a queer
sort of a beggar, I fancy." "You're another queer beggar" was the reply.
"I am Gillott, the penmaker. My banker tells me you are clever, and I
have come to buy some pictures." "By George!" quoth Turner, "you are a
droll fellow, I must say." "You're another," said Gillott. "But do you
really want to purchase those pictures," asked Turner. "Yes, in course I
do, or I would not have climbed those blessed stairs this morning," was
the answer. Turner marvelled at the man, and explained that he had fixed
the prices named under the idea that he had only got an impertinent
intruder to deal with, that two of the pictures were already sold, but
that his visitor could have the first for £1,000. "I'll take it," said
the prince of penmakers, "and you must make me three or four more at
your own price." If other artists did as well with Mr. Gillott they
could have had but little cause of complaint. Another hobby of Mr.
Gillott's was collecting fiddles, his specimens, of which he once said
Public-domain text, read in full here on John Shaqi.
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