Great Britain -- History -- William and Mary, 1689-1702 -- Fiction; Historical fiction
The first to enter, and prepared for many things--among which the
gloomy surroundings of an ascetic, devoted to the dark usages of
the old faith, held the first place in probability--I halted in
surprise on the threshold of a lofty and splendid room suffused with
rose-tinted light, and furnished with a luxury to which I had been
hitherto a stranger. The walls, hung with gorgeous French tapestry,
presented a succession of palaces and hunting scenes, interspersed
with birds of strange and tropical plumage; between which and the eyes
were scattered a profusion of Japanese screens, cabinets, and tables,
with some of those quaint Dutch idols, brought from the East, which,
new to me, were beginning at this time to take the public taste.
Embracing the upper half of the room, and also a _ruelle_, in which
stood a stately bed with pillars of silver, a circle of stronger
light, dispersed by lamps cunningly hidden in the ceiling, fell on a
suite of furniture of rose brocade and silver; in the great chair of
which, with her feet on a foot-stool set upon the open hearth, sat an
elderly lady, leaning on an ebony stick. A monkey mowed and gibbered
on the back of her chair; and a parrot, vieing in brilliance with the
broidered birds on the wall, hung by its claws from a ring above her
head.
Nor was the lady herself unworthy of the splendour of her
surroundings. It is true, her face and piled-up hair, painted and dyed
into an extravagant caricature of youth, aped the graces of sixteen,
and at the first glance touched the note of the grotesque rather than
the beautiful; but it needed only a second look to convince me that
with all that she on whom I looked was a great lady of the world, so
still she sat, and so proud and dark was the gaze she bent on me over
her clasped hands.
At first, it seemed to me, she gazed like one who, feeling a great
surprise, has learned to hide that and all other emotions. But
presently, "Come in, booby," she cried, in a voice petulant and
cracking with age. "Does a woman frighten you? Come nearer, I say. Ay,
I have seen your double. But the lamp has gone out."
The woman who had admitted me rustled forward. "It has sunk a little
perhaps, madam," she said in a smooth voice. "But I----"
[Illustration: IN THE GREAT CHAIR SAT AN ELDERLY LADY LEANING ON AN
EBONY STICK]
"But you are a fool," the lady cried. "I meant the lamp in the man,
silly. Do you think that anyone who has ever seen him would take that
block of wood for my son? Give him a brain, and light a fire in him,
and spark up those oyster eyes, and----turn him round, turn him round,
woman!"
"Turn," Smith muttered, in a fierce whisper.
"Ay," the lady cried, as I went to obey, "see his back, and he is like
enough!"
"And perhaps, madam, strangers----"
Public-domain text, read in full here on John Shaqi.
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