Siberia (Russia); Siberia (Russia) -- Description and travel
The first night I went to the _sobrania_ I was amazed. It was a large
stone building of four stories and basement. The basement contained
billiard and coat-rooms. On the floor above was a ball-room and a
theater. The next upper floor held a splendid restaurant, decorated
by the inevitable and luxurious rubber plants. A German war-prisoner
orchestra served for balls, theater, and after-theater supper.
The plays were acted by a fairly good stock company, and it was said,
written by the wife of a local general. If the latter were true she
was an accomplished dramatist, though I doubt if the police would have
allowed her plays to run on Broadway.
It is probable that the general’s wife did write some of them, but more
likely that such as I saw she had adapted from French farces. They were
grossly nasty, to such an extent that it was evident that they had been
coarsened. Infidelity, of course, was the basis of each one, the wife
always being the fool. And one case of infidelity was not enough for a
single play--all the characters were involved in some way or another,
to the uproarious delight of the audience. And incidentally, I saw high
school children put on a play built around a button missing from the
most vital part of a man’s trousers.
No further comment needs to be made upon the public morals of the
Siberians. Yet curiously enough, in all the dancing I observed, there
was not a hint of anything approaching the suggestive. In fact, the
dances were most pretty, and most decorous. This might be explained by
the fact that the officers of Semenoff’s little army were always armed,
and are as quick with a pistol as the old-style Westerner of our own
country. Discretion in such cases is not always a matter of morals.
And while I am discussing the morals of the Siberians, I wish to say
that before sailing from San Francisco I went to a noted restaurant
for dinner, where the prominent people of the city dine. There I saw
a woman dance in a state so close to nudity that it was disgusting,
and she did not dance upon a stage, but among the tables. She was on
the program as a foreigner, a gipsy, I think. Thus as a nation we
are willing to be Orientalized. And our best people go farther in
permitting offense in dancing than do the Siberians, judging from what
I saw in that country.
Public-domain text, read in full here on John Shaqi.
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