China -- Social life and customs; National characteristics, Chinese
But here is a silk shop that it will be interesting to visit. It is one of
the best in the whole town, and it is said to contain specimens from all
the famous silk-producing districts in the Empire. It does not seem to
have anything in it, beyond what one sees lying on the shelves, carefully
wrapped up in paper as though the great purpose was to conceal
everything from the gaze of the public. We find our progress impeded by a
large counter within which the clerks lounge about, and as purchasers are
never supposed to sit down, we have to stand on the outside of this, as no
chairs of any kind have been provided, not even for the women, when they
come to buy. Ladies of course never by any chance come out shopping, so
the great majority of the customers are men, and occasionally elderly
women of the middle class, who are not supposed to need to sit down.
[Illustration: A BARBER AND HIS CUSTOMER.
_To face p. 178._]
The appearance of a foreigner causes a commotion, and a
responsible-looking man steps forward with a hesitating manner, evidently
questioning with himself how he is to address you, since he knows nothing
but his own mother-tongue. You inform him, however, in Chinese, that you
have come to look at his silks, and at once his countenance clears, and a
look of pleasure flashes into his eyes and across the wide and expansive
area of his Mongolian features.
The clerks, too, without any apparent restraint from their master's
presence, crowd around and make remarks about your personal appearance,
and criticize your dress, and give their opinion about the way in which
you pronounce Chinese. In the meanwhile two or three have been dispatched
to an inner room, where the precious silks are kept, and they soon appear
with a dozen rolls or so carefully wrapped in paper, and tied with string
to keep the dust and the sunlight from getting to them.
As each one is unrolled, you gaze with absolute delight upon the exquisite
colours that flash upon your sight. Here you have one piece of a delicate
creamy white, that seems too pure to be touched without being defiled.
Next to it is another of a beautiful rose pink, a colour that the
designers must have caught from some rose that had just opened its petals
to the sun, and so as the men deftly unwind the various rolls you have
displayed before you the whole array of colours that the Chinese weavers
have woven into their fabrics, and for the moment the unaesthetic-looking
Chinaman becomes sublimed in your imagination, because of the marvellous
power with which he has reproduced the various hues of nature in the rolls
of silk that are deftly unfolded before you.
Public-domain text, read in full here on John Shaqi.
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