Signing the Contract, and What It CostFinley, Martha
General
Signing the Contract, and What It Cost
Finley, Martha
American fiction -- 19th century
“Your aunt is an invalid, I regret to say,” Mr. Tredick remarked as
they drove rapidly through the streets, “and we must not come upon
her too suddenly with this good news. I shall have to ask you, Miss
Farnese, to take a seat in the parlor below while I seek a private
interview with her in her boudoir.”
Our heroine bowed in acquiescence, and he went on:
“It will not take long to break the matter to her, and you are not
likely to be kept waiting many minutes.”
“Please do not concern yourself about that,” she said; “I should
prefer to be kept waiting for hours rather than run the slightest risk
of injury to the only relative I am certain of possessing in all the
world.”
The girl seemed composed--the lawyer thought her so, and rather
wondered at such an amount of self-control in one so young--but
inwardly she was full of agitation and excitement.
Her lonely heart yearned for the love and companionship of kindred, yet
dreaded to find in this unknown relative one who might prove wholly
uncongenial and even repulsive. She remembered that she was not
yet of age, and was about to place herself under authority of which
she knew nothing. There might be conflict of tastes and opinions on
very vital subjects. Yet she had no thought of drawing back. She had
weighed the matter carefully, viewed it in all its aspects, had decided
that this was her wisest and best course, and was ready to pursue it
unfalteringly to the end.
So wholly absorbed in these thoughts and emotions was she that she took
no note of the direction in which they were moving, nor what streets
they traversed.
The carriage stopped. Mr. Tredick threw open the door, sprang out, and,
turning, assisted her to alight.
He led her up the steps of a large and handsome dwelling, and rang the
bell. She glanced about her, and started with surprise. The street, the
house, everything within range of her vision, had a strangely familiar
look.
They had reached the suburbs of the city, and before them--as they
stood on the threshold, looking out toward the east--lay the great
lake, quiet as a sleeping child, under the fervid rays of the sun
of that still summer day, one of the calmest and most sultry of the
season. A second glance around, and Floy--as we must still call
her--turned to her conductor with an eager question on her lips.
But the door opened, a smiling face appeared, and a cheery voice
exclaimed:
“Is it you, Misther Tredick, sir? Will ye plaze to walk in, and I’ll
run up an’ tell the Madame. She’s dressed and ready to resave ye, by
good luck.
“An’ the lady too,” added Kathleen, catching a sight of Floy, but
without recognizing her, her face being partially concealed by her veil.
“Step intil the parlor, both o’ yees, plaze, an’ who shall I say wishes
to see the Madame?” she asked, with another and curious glance at the
veiled lady.
Public-domain text, read in full here on John Shaqi.
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