Signing the Contract, and What It CostFinley, Martha
General
Signing the Contract, and What It Cost
Finley, Martha
American fiction -- 19th century
“It was my mother,” she whispered. “Something tells me so, and that I
shall find her--we shall find each other at last.”
A young man had stepped upon the threshold of the outer door, and was
sending a hurried glance about the now crowded room. His eye lighted
up as it fell upon Ethel’s graceful figure and fair face, of which he
could get but a partial view from where he stood.
In another instant she rose and turned toward him. Their eyes met, she
nodded and smiled, said a few words to her companions, then made her
way through the throng to his side as he stepped back upon the porch,
the other two following.
Arrived in his vicinity, she introduced Mr. Alden to Mrs. and Miss
Goodenough. A shaking of hands and exchange of a few commonplace
sentences followed, and the four separated, Hetty and her mother
returning to the Main Building, while Ethel and Espy sauntered side by
side along the avenue in the direction of Memorial Hall, passing it and
going some distance beyond.
Although thousands of people were wandering about the houses and
grounds, this spacious thoroughfare was not so crowded that they could
not with ease keep to themselves and carry on a private conversation
without danger of being overheard.
In a few moments Espy had learned from Ethel all that Hetty had had to
tell of her fellow-passengers of the previous day.
His interest and excitement were only second to Ethel’s, and he shared
both her conviction and her presentiment.
“Yes,” he said eagerly, “it is your mother! I seem somehow to feel that
it must be so; and now the question is how to bring you together.”
“Yes,” sighed Ethel, “we might all be here every day while the
Exhibition lasts, yet never meet. But no, I will not fear it! I will
trust in God, who hath helped me hitherto,” she added, smiling brightly
through gathering tears.
Espy regarded her with admiring, loving eyes.
“That is right!” he said cheerfully, “and I feel sure your faith will
be rewarded. You are looking tired; let us sit down here and rest while
we talk it over.”
He had led her into a side path, and to a bench that stood in the shade
of a wide-spreading tree.
“It may sound conceited,” he said, “but I do believe that my pictures
are now to play a conspicuous part in the drama and do you good
service--as truly they ought, being mine, and I your humble slave,” he
added sportively, seeking to win her from anxiety and care.
She smiled, but sadly still, as she made answer: “I hope they may;
but how is it to be managed? It is with them as with the rest of the
Exposition--we and those we seek may visit them again and again, yet
never at the same time.”
He mused a moment.
“They would perhaps think of inquiring for the artist in case your
mother recognizes the likenesses, as I do feel pretty confident she
will, at least if she has a good memory for faces; for surely Mrs.
Kemper’s, and yours as a baby, would be likely to be strongly impressed
upon it. And we must go there very often, singly or together.”
Public-domain text, read in full here on John Shaqi.
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