Signing the Contract, and What It CostFinley, Martha
General
Signing the Contract, and What It Cost
Finley, Martha
American fiction -- 19th century
Madame’s tone was still agitated, and she seemed flurried and uneasy
under Floy’s glance.
The girl noted it, and with true delicacy turned her eyes in another
direction while Mary performed the required service.
Madame stood up before the glass. “I think it fits, Mary, doesn’t it?”
“I think not quite. Shall Miss Kemper look at it?”
Madame assented, and Floy’s nimble fingers were presently busied about
her, she meanwhile earnestly regarding the reflection of the young face
in the glass.
It seemed to have far more interest for her than the fit of the new
gown, though ordinarily she was eager as a child in regard to any new
article of dress.
“Does it satisfy you now, Madame?” asked Floy at length.
The Madame started as if waking from a dream, glanced at the image
of her own portly figure, and responded with a hasty “Yes, yes, it
is all right! Child, you look tired, wretchedly tired--almost ill.
You must rest. Sit down in that chair, and Mary shall bring you some
refreshments.”
“Many thanks, but I have no time for rest; these are busy days for
dressmakers,” Floy answered, with a sad smile, thinking of the piles
of dress patterns still untouched, and garments in various stages of
completion, in Mrs. Sharp’s work-room.
“Sit down!” repeated the Madame, with an imperious gesture; “I am used
to obedience from all in this house. Just slip my wrapper on again,
Mary, and then go to my closet and bring out all the good things you
can find.”
Mary obeyed, nothing loath, for she too felt drawn to the young
stranger, and Floy presently had spread before her a tempting variety
of cakes, confectionery, and tropical fruits.
In vain she protested that she was not hungry; Madame would not be
content till she had seen her eat an orange and a bunch of grapes, and
put a paper of candies into her pocket.
For the rest of the day the Madame insisted upon occupying an easy
chair in the sewing-room, where, with Frisky curled up in her lap and
the latest novel in her hand, she furtively watched Floy’s movements,
and when she spoke, listened with ill-concealed eagerness to every tone
of her voice.
Floy, whose thoughts were far away, was scarcely conscious of this
strange interest taken in her, but Mary noted it with wonder and
growing curiosity shared by Kathleen, who had been, as she anticipated,
summoned to the work of running the machine. They telegraphed each
other with nods, winks, and smiles, neither the Madame nor Floy
perceiving.
“The sun has set, and it is growing dark,” remarked the Madame, closing
her book and breaking in on a long silence. “You are straining your
eyes in your efforts to thread that needle, Miss Kemper. Come, put up
your work and rest a little, while Mary and Kathleen prepare our tea.”
“Thank you, Madame,” said Floy, “but Mrs. Sharp would not approve of so
early a rest, and if I may have a light I will go on with the work.”
Public-domain text, read in full here on John Shaqi.
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