English fiction -- 20th century; Short stories, English
“Fraud,” he said in a careful undertone, and added rather more
viciously, “Hoax of some kind.”
Mrs. Harrison, however, was not to be rebuffed so easily. “But,
Charles,” she said with a slight urgency, as if she would persuade him
to be reasonable; “don’t you think there is something very _odd_ about
her? As if she were not quite sane? That pose of the Virgin Mary when
she was in the moonlight as we came up? And did you notice that she’s
wearing quite the commonest sort of tulle scarf?”
“Yes, I’d noticed that,” he began, and then their attention was
snatched back to their strange visitor by the sound of a laugh. It was
a clear, high laugh, but just too near the edge of emotion for a person
under suspicion of madness.
“I must see to this,” Harrison murmured to his wife, and took a
few steps towards Lady Ulrica and the mysterious visitor. He was a
connoisseur of feminine beauty, and he had been struck by what he
mentally termed the “exquisite accuracy” of the profile presented
to him. It had come clear and sharp against the background of the
plantation, white and vivid in the moonlight; a forehead in a vertical
line over the delicately rounded chin, a perfectly curved aquiline nose
and the suggestion of a fine, sensitive mouth. Harrison saw it as the
considered and patient modelling of some idealised profile in a cameo.
It was a type that he very greatly admired; and this sight of her
beauty perhaps softened the asperity of the cross-examination he had
intended.
He came within a few feet of her as he began to speak, but she was
still within the black shadow of the trees and he could no longer
distinguish her features.
“We--we are rather at a loss, my dear young lady,” he said. “You
understand, I hope, that if you find yourself in any perplexity, my
wife will be delighted to offer you our hospitality.”
Instead of answering him she put out her hand towards Lady Ulrica, but
when that lady made a responsive movement, the stranger shrank away
again.
“They don’t help me,” she murmured. An undercurrent of agitation was
coming into her speech, and began to dominate it as she continued,
more hurriedly; “I can’t help it, if they won’t believe me. They’re
antag--antago--tell them to be still--in their thoughts--in their....”
Her voice died out, fluttering down through the original quality of
huskiness that had first distinguished it, to a hoarse, diminishing
whisper. And it seemed at the same moment as if she also were
stealthily retreating, sliding away from them.
“Look out! She’s going!” Harrison cried out. “We mustn’t let her get
away like this. She’s--she’s not safe to be left alone. We must catch
her.”
But already the stranger was nearly out of sight. For an instant they
saw her through the darkness, as an illusive pillar of faint light
gleaming among the profound shadows of the yews; a pale uncertain form
that vanished even as they started in pursuit.
Public-domain text, read in full here on John Shaqi.
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