English fiction -- 20th century; Short stories, English
But there was no one in sight. Nothing moved on all the long curving
reaches of the bank. There was no sound in the night other than the
faint crash of the reeds, the soft chuckle of the water and the steady
insistence of the sibilant poplars.
And search as he would up and down the brooding sweep of the dark
water, damascened here and there by the yellow silver of moonlight
reflected from the crest of the increasing ripple, he could see no
slender raft of floating drapery, nor any sign of a sodden form, nearly
immersed, sagging inertly towards the bank.
He desisted presently, and sat down to consider the whole situation.
The sense of exasperation had faded under the influence of the night’s
peace, and he fell into a calmer consideration of the problem that
was vexing him. He saw that he must take the initiative, state his
case before Vernon could get a word in. He would treat the affair as
an instance of the kind of thing that gets worked up into what these
people absurdly called “evidence.” The coincidence of this stranger,
(whoever she was,) turning up on the very evening on which that unhappy
girl had drowned herself--if she had sunk, they would have an awful job
to recover the body; the lake was over forty feet deep in places--was
just another of those coincidences that had probably been responsible
for most of the superstitions about the appearance of the spirit at
the moment of death. And in this case it was obviously absurd to
argue that it was the spirit of Phyllis Messenger they had seen. _And
heard!_ That was a good point. Finally and conclusively, there was the
tulle scarf; real and solid enough. No one had ever heard of a spirit
leaving such material evidence behind it. What had he done with that
scarf, by the way? He had had it in his hand when he had entered the
drawing-room. He’d probably laid it down there, somewhere. He must make
enquiries about that as soon as he got in. It might help him to trace
the identity of the stranger.
He had wandered a quarter of a mile or so away from the path through
the plantation, and he jumped up now, with the intention of getting
back at once to the house, in order to make sure of that valuable piece
of evidence. But as he came out of his preoccupation, his attention was
arrested by the distant murmur of little detached sounds, the separated
notes of human voices, musical in their remoteness, faintly impinging
upon the textured whisperings of the night.
They are still looking for that poor girl, he thought with a twinge
of remorse for his own loss of interest in the search. But even as he
started to join them, he realised that the sounds were retreating,
fading imperceptibly into the depths of the night. Have they found her,
I wonder, he murmured to himself, thinking still of a desecrated and
draggled body; and then he heard himself being distantly hailed in the
strong, cheerful voice of his friend Greatorex.
“Ahoy there, Harrison; Harrison, ahoy!” he was shouting.
Public-domain text, read in full here on John Shaqi.
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