Christian fiction; Church history -- Primitive and early church, ca. 30-600 -- Fiction
Clemens therefore admitted that he could not feel certain as to the
order of events in John’s gospel. It might be, he said, that two events,
mentioned in different parts of the gospel as taking place at, or before,
a feast, and apparently at, or before, different feasts, might really
have taken place at, or before, the same feast. Among several details in
which he agreed with Scaurus, one was the narrative of the Walking on
the Water. Concerning this he said that, according to John, the walking
was not really _on_ the water, any more than a city is really “_on_ a
sea” when it is said to lie “_on_ the Ægean” or “_on_ the Hadriatic.”
He also agreed with Scaurus as to the story about Peter plunging into
the water to come to Christ, which might (he thought) explain Matthew’s
story, according to which Christ first walked on the water, and then
Peter attempted to walk on it towards the Lord, but failed. Both these,
he thought, might be metaphorical.
As regards what Scaurus had said concerning the ambiguity of many words
and phrases in the fourth gospel, Clemens admitted it. “But,” said he,
“my conviction is that the writer did not use them thus for the mere
purpose of being ambiguous, like the oracle ‘Aio te, Æacida.’ I do not
deny that he plays upon words, but so does Isaiah. He also repeats and
varies phrases, but so do all the prophecies and the Psalms. Similarly
he is often dark and obscure. But are there not obscurities also in
Æschylus, and Pindar, and in the deepest thoughts of Plato? And whence
do these arise? Not surely from a desire to be ambiguous, but from the
lawful feeling of a great poet, prompted to use strange language, and
sometimes dark language, that is put into his mind to express strange
and dark thoughts. So it is with John, at least in my judgment. And as
to other parts, which seem artificial—as, for example, when he repeats
things twice or thrice in a kind of refrain—I should plead in the same
way that a poet, even when most inspired, follows rules. Æschylus and
Pindar do not break the laws of Greek metre. Well, Jewish tradition also
has rules of its own, quite different from ours, and I believe John
observes them.”
Public-domain text, read in full here on John Shaqi.
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