Silas X. Floyd's Short Stories for Colored People Both Old and Young: Entertaining, Uplifting, InterestingFloyd, Silas Xavier
General
Silas X. Floyd's Short Stories for Colored People Both Old and Young: Entertaining, Uplifting, Interesting
Floyd, Silas Xavier
African Americans -- Fiction; African Americans -- Juvenile fiction; Didactic fiction; Short stories, American
“Blind Tom is unquestionably the most wonderful musician the world has
ever known. He is an absolute master in the comprehension and retention
of all sound. You may sit down to the pianoforte and strike any note or
chord or discord, or a great number of them, and he will at once give
their proper names, and, taking your place, reproduce them. Complete
master of the pianoforte keyboard, he calls to his melodious uses, with
most consummate ease, all of its resources that are known to skillful
performers, as well as constantly discovers and applies those that are
new. Under his magnetic touch this instrument may become, at his will, a
music box, a hand organ, a harp, or a bagpipe, a “Scotch fiddle,” a
church organ, a guitar, or a banjo; it may imitate the “stump speaker”
as he delivers his glowing harangue; or, being brought back to its
legitimate tones, it may be made to sing two melodies at once, while the
performer, with his voice, delivers a third, all three in different time
and keys, all in perfect tune and time, and each one easily
distinguishable from the other! He remembers and plays fully seven
thousand pieces. Some persons, it is true, have had the temerity to say
that Blind Tom is an idiot. Out with the idea! Who ever heard of an
idiot possessing such power of memory, such fineness of musical
sensibility, such order, such method, as he displays? Let us call him
the embodiment of music, the soul of music, and there let our
investigations rest, for all else is vain speculation. No one lives, or,
so far as we know, has ever lived, that can at all be compared with
him.”
NOT FIT TO KNOW.
Susan and Mamie and Lillian and Marjorie were always close friends. They
usually went together and played together and it was very unusual to see
one of them without the others. At school they always made it a rule to
lunch together and play together. One day at recess they were standing
in a little group all by themselves when Frances joined them.
[Illustration: “FRANCES.”]
“What are you talking about, girls?” asked Frances in cheerful tones.
“I’m telling them a secret,” said Susie, “and we will let you know, too,
Frances, if you’ll promise not to tell any one.”
“I’ll promise you not to tell anybody but my mother,” said Frances, “for
I have made it a rule to tell my mother everything.”
“No; you can’t even tell your mother,” answered Susie; “you must not
tell any one in the world.”
“Well, then, I refuse to hear it,” said Frances, as she walked away,
“for what I can’t tell my mother is not fit for me to know.”
Don’t you think Frances was right, girls? I think so. As soon as little
boys and girls begin to listen to words and stories which they would be
ashamed to repeat to their mothers they are on the road to temptation,
and nobody can tell how soon they will reach the end, which is always
disgrace and death.
Public-domain text, read in full here on John Shaqi.
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