Silence, and other storiesFreeman, Mary Eleanor Wilkins
General
Silence, and other stories
Freeman, Mary Eleanor Wilkins
New England -- Social life and customs -- Fiction; Short stories, American
Lydia sat there steadily carding flax, as if imbued by nature with the
single instinct of industry, like a bee out in the garden. Her lips
were tight shut, and no longer smiling; her heart was anxious, but she
still made her store of linen as unquestioningly as the bee its honey.
In about an hour the troop of young men with the conch shells returned.
Lydia heard them at a distance, and long before they reached the house
she sat with stiffer majesty, keeping her eyes so closely upon her work
that the flax became a silvery blur. However, she need not have taken
the trouble, for Freelove Keith swung past with as scornful a lift of
his head as she, and never once glanced her way. And, indeed, the young
men all passed very decorously and quietly, and only a few dared raise
their eyes towards the queenly figure on the porch, and then only for a
second. One of them was Abel Perkins, Squire Perkins’s son. He was home
from college on a vacation, and was quite looked up to by the village
youth, as he was the only collegian among them. Abel Perkins was slight
and pale, and walked with a nervous strut; but he wore broadcloth and
a fine flowered waistcoat, and carried a gold watch. He even gave a
hesitating glance back at Lydia on the porch, turning his little face
over his shoulder; but she did not see it. She did not look up from her
work until long after the company had passed.
A half-hour later the stage went by, with the four horses at a gallop.
A fair face overtopped by white plumes looked out of the surging
window. Lydia turned her head hastily, and the red in her cheeks
deepened. It was the bride, Deborah White, going with her new husband
to spend the honeymoon with his relations in Abington. There was a
nice little hair trunk strapped on behind the stage. Lydia eyed it
contemptuously when Deborah could no longer see her. She thought,
“Maybe his first wife’s satin pelisse is in there.”
A man emerged from the cloud of dust in the wake of the stage. He was
old, and wore his white hair in a queue. He had on a green double
cloak, although the day was warm, and walked with a stick, to whose
height he accommodated himself at every step with a downward motion of
his shoulders. He did not seem to need its support.
When he approached the house, Lydia stood up and courtesied low.
“Good-day, Lydia,” said he, in a solemn voice.
“Good-day, sir,” she returned, with stately deference; and she
ushered the minister, Elihu Eaton, into the fore room, and placed the
rocking-chair with the feather cushion for him.
Public-domain text, read in full here on John Shaqi.
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