Silence, and other storiesFreeman, Mary Eleanor Wilkins
General
Silence, and other stories
Freeman, Mary Eleanor Wilkins
New England -- Social life and customs -- Fiction; Short stories, American
“Wait a minute,” said his father. “I’ve got something to say to ye,
Thomas, an’ this is as good a time to say it as any. There ain’t
anybody ’round. I don’t know as ye’ll thank me for it--but mother said
the other day that she thought you’d kind of an idea--she said you
asked her if she thought it would be anything out of the way for you
to go up to the Squire’s to make a call. Mother she thinks you can
step in anywheres, but I don’t know. I know your book-learnin’ and your
bein’ a minister has set you up a good deal higher than your mother
and me and any of our folks, and I feel as if you were good enough
for anybody, as far as that goes; but that ain’t all. Some folks have
different startin’-points in this world, and they see things different;
and when they do, it ain’t much use tryin’ to make them walk alongside
and see things alike. Their eyes have got different cants, and they
ain’t able to help it. Now this girl she’s related to the old Squire,
and she’s been brought up different, and she started ahead, even if her
father did lose all his property. She ’ain’t never eat in the kitchen,
nor been scart to set down in the parlor, and satin and velvet, and
silver spoons, and cream-pots ’ain’t never looked anything out of the
common to her, and they always will to you. No matter how many such
things you may live to have, they’ll always get a little the better of
ye. She’ll be ’way above ’em; and you won’t, no matter how hard you
try. Some ideas can’t never mix; and when ideas can’t mix, folks can’t.”
“I never said they could,” returned Thomas, shortly. “I can’t stop to
talk any longer, father. I must go home.”
“No, you wait a minute, Thomas. I’m goin’ to say out what I started to,
and then I sha’n’t ever bring it up again. What I was comin’ at was
this: I wanted to warn ye a little. You musn’t set too much store by
little things that you think mean consider’ble when they don’t. Looks
don’t count for much, and I want you to remember it, and not be upset
by ’em.”
Thomas gave a great start, and colored high. “I’d like to know what you
mean, father,” he cried, sharply.
“Nothin’. I don’t mean nothin’, only I’m older ’n you, and it’s come in
my way to know some things, and it’s fittin’ you should profit by it.
A young woman’s looks at you don’t count for much. I don’t s’pose she
knows why she gives ’em herself half the time; they ain’t like us. It’s
best you should make up your mind to it; if you don’t, you may find it
out by the hardest. That’s all. I ain’t never goin’ to bring this up
again.”
“I’d like to know what you mean, father.” Thomas’s voice shook with
embarrassment and anger.
“I ain’t goin’ to say anything more about it,” replied the old man.
“Mary Ann Pease and Arabella Mann are both in the settin’-room with
your mother. I thought I’d tell ye, in case ye didn’t want to see ’em,
and wanted to go to work on your sermon.”
Public-domain text, read in full here on John Shaqi.
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