Silence, and other storiesFreeman, Mary Eleanor Wilkins
General
Silence, and other stories
Freeman, Mary Eleanor Wilkins
New England -- Social life and customs -- Fiction; Short stories, American
“I cannot help that,” replied Evelina. “It is for you to show Christian
patience more than I, Thomas. If you could have seen poor Cousin
Evelina, as I have seen her, through the long winter days, when her
garden is dead, and she has only the few plants in her window left!
When she is not watering and tending them she sits all day in the
window and looks out over the garden and the naked bushes and the
withered flower-stalks. She used not to be so, but would read her Bible
and good books, and busy herself somewhat over fine needle-work, and at
one time she was compiling a little floral book, giving a list of the
flowers, and poetical selections and sentiments appropriate to each.
That was her pastime for three winters, and it is now nearly done; but
she has given that up, and all the rest, and sits there in the window
and grows older and feebler until spring. It is only I who can divert
her mind, by reading aloud to her and singing; and sometimes I paint
the flowers she loves the best on card-board with water-colors. I have
a poor skill in it, but Cousin Evelina can tell which flower I have
tried to represent, and it pleases her greatly. I have even seen her
smile. No, I cannot leave her, nor even pester her with telling her
before another spring, and you must wait, Thomas,” said young Evelina.
And Thomas agreed, as he was likely to do to all which she proposed
which touched not his own sense of right and honor. Young Evelina gave
Thomas one more kiss for his earnest pleading, and that night wrote out
the tale in her journal. “It may be that I overstepped the bounds of
maidenly decorum,” wrote Evelina, “but my heart did so entreat me,” and
no blame whatever did she lay upon Thomas.
Young Evelina opened her heart only to her journal, and her cousin was
told nothing, and had little cause for suspicion. Thomas Merriam never
came to the house to see his sweetheart; he never walked home with her
from meeting. Both were anxious to avoid village gossip, until the
elder Evelina could be told.
Often in the summer evenings the lovers met, and strolled hand in hand
across the fields, and parted at the garden gate with the one kiss
which Evelina allowed, and that was all.
Sometimes when young Evelina came in with her lover’s kiss still warm
upon her lips the elder Evelina looked at her wistfully, with a strange
retrospective expression in her blue eyes, as if she were striving to
remember something that the girl’s face called to mind. And yet she
could have had nothing to remember except dreams.
And once, when young Evelina sat sewing through a long summer afternoon
and thinking about her lover, the elder Evelina, who was storing rose
leaves mixed with sweet spices in a jar, said, suddenly, “He looks as
his father used to.”
Young Evelina started. “Whom do you mean, Cousin Evelina?” she asked,
wonderingly; for the elder Evelina had not glanced at her, nor even
seemed to address her at all.
Public-domain text, read in full here on John Shaqi.
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