It was the particular gesture with which the coquettish Carmen was wont to dismiss her lovers; but as she strode down the hill Drusilla herself was heart-broken, for her coquetry had come to naught. This big Western boy, this unsophisticated miner, had sensed her wiles and turned them upon her--how then could she hope to succeed? If her eyes had no allure for a man like him, how could she hope to fascinate an audience? And Carmen and half the heroines of modern light opera were all of them incorrigible flirts. They flirted with servants, with barbers, with strolling actors, with their own and other women's husbands; until the whole atmosphere fairly reeked of intrigue, of amours and coquettish escapades. To the dark-eyed Europeans these wiles were instinctive but with her they were an art, to be acquired laboriously as she had learned to dance and sing. But flirt she could not, for Denver Russell had flouted her, and now she had lost his respect. A tear came to her eye, for she was beginning to like him, and he would think that she flirted with everyone; yet how was she to learn to succeed in her art if she had no experience with men? It was that, in fact, which her teacher had hinted at when he had told her to go out and live; but her heart was not in it, she took no pleasure in deceit--and yet she longed for success. She could sing the parts, she had learned her French and Italian and taken instruction in acting; but she lacked the verve, the passionate abandon, without which she could never succeed. Yet succeed she must, or break her father's heart and make his great sacrifice a mockery. She turned and looked back at Denver Russell, and that night she sang--for him. He was up there in his cave looking down indifferently, thinking himself immune to her charms; yet her pride demanded that she conquer him completely and bring him to her feet, a slave! She sang, attired in filmy garments, by the light of the big, glowing lamp; and as her voice took on a passionate tenderness, her mother looked up from her work. Then Bunker awoke from his gloomy thoughts and glanced across at his wife; and they sat there in silence while she sang on and on, the gayest, sweetest songs that she knew. But Drusilla's eyes were fixed on the open doorway, on the darkness which lay beyond; and at last she saw him, a dim figure in the distance, a presence that moved and was gone. She paused and glided off into her song of songs, the "Barcarolle" from "Love Tales of Hoffman," and as her voice floated out to him Denver rose up from his hiding and stepped boldly into the moonlight. He stood there like a hero in some Wagnerian opera, where men take the part of gods, and as she gazed the mockery went out of her song and she sang of love alone. Such a love as women know who love one man forever and hold all his love in return, yet the words were the same as those of false Giuletta when she fled with the perfidious Dapertutto.