Silver Pitchers: and Independence, a Centennial Love StoryAlcott, Louisa May
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Silver Pitchers: and Independence, a Centennial Love Story
Alcott, Louisa May
Fiction; Short stories, American
"Who can this pretty Priscilla be? I must make her talk and find out.
Never shall get the eyes right, if she doesn't look up," thought the
artist, who, instead of devoting himself to the historical chair, was
basely sketching the girl whose youth and beauty were wonderfully
enhanced by the antiquity around her.
"Mrs. Hill is a rich woman, if all these treasures have a history. Even
if they haven't, they would bring a good price; for things of this sort
are all the rage now, and the older the better," he said aloud in a
sociable tone, as he affected to study the left arm of the famous chair.
"They are not hers to sell, for they belonged to the first Mrs. Hill,
who was a Quincy, and had a right to be proud of them. The present Mrs.
Hill doesn't value them a bit; but _she_ was a Smith, so _her_ family
relics are nothing to boast of," answered the girl, using her bit of
wash-leather as if the entire race of Smith ought to be rubbed out of
existence.
"And she is going to sell all these fine old things, is she?" asked the
artist, with an eye to bargains.
"No, indeed! they belong to--to the first Mrs. Hill's daughter, named
after her, Dorothy Quincy," the girl began impetuously, but checked
herself, and ended very quietly with a suddenly averted head.
"A fine name, and I shouldn't think she would be in haste to change it,"
said the artist, wondering if Miss Dorothy Quincy was before him.
"Not much hope of that, poor thing," with a shake of the head that made
several brown curls tumble out of the net which tried to confine a
riotous mass of them.
"Ah, I see, a spinster?" and the young man returned to his work with
greatly abated interest in the subject.
The bright eyes glanced quickly up, and when they fell the snuffer-tray
reflected a merry twinkle in them, as their owner answered gravely,--
"Yes, a spinster."
"Is she one of the amiable sort?"
"Oh, dear, no! very quick in her temper and sharp with her tongue. But
then she has a good deal to try her, as I happen to know."
"Sorry for that. Spinsterhood _is_ trying, I fancy, so we should be
patient with the poor old ladies. Why I asked was because I thought I
might induce Miss Dolly to let me have some of her relics. Do you think
she would?" he asked, holding his sketch at arm's length, and studying
it with his head on one side.
"I'm very sure she won't, for these old things are all she has in the
world, and she loves them dearly. People used to laugh at her for it,
but now they are glad to own her and her 'duds,' as they called them.
The Smiths are looking up every thing they can find of that sort, even
poor relations. All these things are going down to a fair to-morrow, and
Miss Dolly with them."
"As one of the relics?" suggested the artist, glancing at a green calash
and a plum-colored quilted petticoat lying on the settle.
Public-domain text, read in full here on John Shaqi.
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